Images tagged with #videoart on instagram

Axsamvuz Xeir İnsta Ehli.Necesuz?Logosuz😈 #admin #aztagram #baku #muasir__pg #video #videogames #videogame #videos #videography #videographer #videoclip #videoshoot #videogram #videoproduction #videoedit #videolucu #videostar #videohot #videobokep #videoedits #videoart #videomaker #videojuegos #videoshow #videoviral #videoporn #liker #like4follow #cool #instacool

4:47pm 02/21/2019 0 20

سلیمان ثالث؛ شاعر معاصر آذربایجان
گزارشی از گروه ایز مدیا

IzMedia; House for Art & Media

#فیلم #تیزر #مستند #موشن گرافی #انیمیشن
#طراحی #موزیک_ویدئو #تبلیغات #هنر #رسانه
تبریز/ خ چایکنار/ خ بیلانکوه غربی/ پلاک۱۸۲/ ساختمان مهر/ طبقه اول
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#izmedia #iz.media #iz_media #art #media #videoart #motiongraphics #tabriz #azerbaijan #advertusment #تبریز #تبریز_2018 #تبلیغات_موثر #آذربایجان #آذربایجان_شرقی

Iz Media ( @iz.media )

سلیمان ثالث؛ شاعر معاصر آذربایجان گزارشی از گروه ایز مدیا IzMedia; House for Art & Media #فیلم #تیزر #مستند #موشن گرافی #انیمیشن #طراحی #موزیک_ویدئو #تبلیغات #هنر #رسانه تبریز/ خ چایکنار/ خ بیلانکوه غربی/ پلاک۱۸۲/ ساختمان مهر/ طبقه اول ۰۴۱۳۶۵۵۲۳۸۴ #izmedia #iz .media #iz_media #art #media #videoart #motiongraphics #tabriz #azerbaijan #advertusment #تبریز #تبریز_2018 #تبلیغات_موثر #آذربایجان #آذربایجان_شرقی

4:28pm 02/21/2019 1 9

Нейростимуляция
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Все знают Эдварда Мунка как художника с кричащими красками, его основными темами были одиночество, депрессии, смерть;
обиженные мужчины и доминирующие женщины;
боль, невозможность счастья в этой жизни.
Но мало, кто знает, что он начинал как академический художник, и его ранние работы были ближе к импрессионизму, чем экспрессионизму, к которому его сейчас относят.
Светлые краски, лёгкость, воздушность пространства,фантастическая пастельная гамма- это то, кем был Мунк в самом начале и это был тот Мунк, которого признал парижский салон.
Сегодня мы все знаем Мунка, как создателя полотна «Крик», но мало, кому известно, что помимо этой картины существуют ещё 3, выполненные в той же гамме и с похожей композиций: «На мосту», «Тревога», «Отчаяние». Полотно «Крик» стало завершающей картиной этого цикла, но запомнилось больше всего, поскольку передаёт состояние человека, находящегося в глубокой депрессии. -
Everyone knows Edvard Munch as an artist with flashy colors, his main themes were loneliness, depression, death;
offended men and dominant women;
pain, impossibility of happiness in this life.
But few people know that he began as an academic artist, and his earlier works were closer to impressionism than to expressionism, to which he is now attributed.
Light colors, lightness, airiness of the space, a fantastic pastel gamma is who Munch was at the very beginning and it was the Munch whom the Parisian salon recognized.
Today we all know Munch as the creator of the “The Scream” canvas, but few know that in addition to this picture there are 3 more made in the same color spectrum and with similar сompositions: “On the Bridge”, “The Anxiety”, “The Despair”.
Cloth "Scream" was the final picture of this cycle, but remember most of all, because it conveys the state of a person who is in deep depression.
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#emartdesign #changing #design #artditection #media #style #fashion #art #photo #shoot #modernart #inspiration #trippy #freaks #surreal #artwork #artist #digitalart #virtual #videoart #video #graphicdesign #avantgarde #future #artconcept #creativity

( @em_art.design )

Нейростимуляция - Все знают Эдварда Мунка как художника с кричащими красками, его основными темами были одиночество, депрессии, смерть; обиженные мужчины и доминирующие женщины; боль, невозможность счастья в этой жизни. Но мало, кто знает, что он начинал как академический художник, и его ранние работы были ближе к импрессионизму, чем экспрессионизму, к которому его сейчас относят. Светлые краски, лёгкость, воздушность пространства,фантастическая пастельная гамма- это то, кем был Мунк в самом начале и это был тот Мунк, которого признал парижский салон. Сегодня мы все знаем Мунка, как создателя полотна «Крик», но мало, кому известно, что помимо этой картины существуют ещё 3, выполненные в той же гамме и с похожей композиций: «На мосту», «Тревога», «Отчаяние». Полотно «Крик» стало завершающей картиной этого цикла, но запомнилось больше всего, поскольку передаёт состояние человека, находящегося в глубокой депрессии. - Everyone knows Edvard Munch as an artist with flashy colors, his main themes were loneliness, depression, death; offended men and dominant women; pain, impossibility of happiness in this life. But few people know that he began as an academic artist, and his earlier works were closer to impressionism than to expressionism, to which he is now attributed. Light colors, lightness, airiness of the space, a fantastic pastel gamma is who Munch was at the very beginning and it was the Munch whom the Parisian salon recognized. Today we all know Munch as the creator of the “The Scream” canvas, but few know that in addition to this picture there are 3 more made in the same color spectrum and with similar сompositions: “On the Bridge”, “The Anxiety”, “The Despair”. Cloth "Scream" was the final picture of this cycle, but remember most of all, because it conveys the state of a person who is in deep depression. - #emartdesign #changing #design #artditection #media #style #fashion #art #photo #shoot #modernart #inspiration #trippy #freaks #surreal #artwork #artist #digitalart #virtual #videoart #video #graphicdesign #avantgarde #future #artconcept #creativity

4:28pm 02/21/2019 0 10

👨‍🎨Художники люди таинственные, а порой и скрытные. Они предпочитают говорить сюжетами и линиями, максимально отстроняясь от толпы зевак. ⠀
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Иногда выглядывая из-за своего мольберта или этюдник, они пристально изучают натуру и вновь уходят в глубину своих мыслей, цветов и форм.
Но так как в моем доме и сердце живет замечательный #художник мне посчастливилось наблюдать весь процесс творчества воочию. 😌Его переживания и чувства от увиденного словно книга с красивыми картинками.
И я хочу немного приоткрыть занавесу в это удивительный💫 мир и поделиться с Вами видео с созданием картины😊 ⠀
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🤩Приятного просмотра!
Если вам понравилось напишите в комментарии.
Мне будет приятно 🤗
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#художник #5днейсмаксимом #искусство #картина #отзамыслакшедевру #женахудожника #художникспб #питер #пейзаж #картинамаслом #творчество #мастерскаяхудожника #какнаписатькартину #art #artist #draw #oilpainting #russianartistа #landscapes #timelapses #videoart #vsco #artvideo #spb

🍃ART 🍃 SPb 🍃 ( @zhanna_ute )

👨‍🎨Художники люди таинственные, а порой и скрытные. Они предпочитают говорить сюжетами и линиями, максимально отстроняясь от толпы зевак. ⠀ ⠀ Иногда выглядывая из-за своего мольберта или этюдник, они пристально изучают натуру и вновь уходят в глубину своих мыслей, цветов и форм. Но так как в моем доме и сердце живет замечательный #художник мне посчастливилось наблюдать весь процесс творчества воочию. 😌Его переживания и чувства от увиденного словно книга с красивыми картинками. И я хочу немного приоткрыть занавесу в это удивительный💫 мир и поделиться с Вами видео с созданием картины😊 ⠀ ⠀ 🤩Приятного просмотра! Если вам понравилось напишите в комментарии. Мне будет приятно 🤗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ #художник #5днейсмаксимом #искусство #картина #отзамыслакшедевру #женахудожника #художникспб #питер #пейзаж #картинамаслом #творчество #мастерскаяхудожника #какнаписатькартину #art #artist #draw #oilpainting #russianartistа #landscapes #timelapses #videoart #vsco #artvideo #spb

4:27pm 02/21/2019 0 15

24.2., 5-7 p.m. at Daimler Contemporary
Fictive reality and real fictions
Film night with French artist Clément Cogitore

Clément Cogitore was awarded the prestigious Prix Marcel Duchamp in 2018 for his video work "The Evil Eye" (2018). The media artist reacts to aspects of the trivialization and anonymization in the context of current image circulation. Cogitore’s work is characterized by a distinct visual intensity and a strong sense of storytelling that departs from reality and adjoins to imagination. The story of a women's voice travels through anonymous, stereotypical scenes of the stock trading global banks that provide the image material for advertising and political campaigns. This award-winning, recent work by the artist, shown at Centre Pompidou, can be seen now for the first time in Berlin.

This first screening is followed by the film "Braguino" (48 min), awarded the Prix LE BAL. The film visualizes the everyday life of a family living in Siberia and their bitter conflict with their only neighbors in endless loneliness. Cogitore’s film tells a horrifying moment of civilization's failure and investigates the very moment of emergence of armed conflicts. Afterwards, Clément Cogitore will talk about his approach to the concepts of fiction and documentation and give an immediate insight into his artistic and filmic work.

Talk moderated by curator Nadine Isabelle Henrich @isabellenadine
The event will be held in English. Admission is free of charge.

Video stills: Clément Cogitore. Courtesy Eva Hober, Paris / Reinhard Hauff, Stuttgart. VG Bildkunst, Bonn 2018

#clementcogitore #daimlercontemporary #daimlerartcollection #berlin #evokingreality #videoart #prixmarcelduchamp2018

Daimler Contemporary Berlin ( @daimlerartcollection_dac )

24.2., 5-7 p.m. at Daimler Contemporary Fictive reality and real fictions Film night with French artist Clément Cogitore Clément Cogitore was awarded the prestigious Prix Marcel Duchamp in 2018 for his video work "The Evil Eye" (2018). The media artist reacts to aspects of the trivialization and anonymization in the context of current image circulation. Cogitore’s work is characterized by a distinct visual intensity and a strong sense of storytelling that departs from reality and adjoins to imagination. The story of a women's voice travels through anonymous, stereotypical scenes of the stock trading global banks that provide the image material for advertising and political campaigns. This award-winning, recent work by the artist, shown at Centre Pompidou, can be seen now for the first time in Berlin. This first screening is followed by the film "Braguino" (48 min), awarded the Prix LE BAL. The film visualizes the everyday life of a family living in Siberia and their bitter conflict with their only neighbors in endless loneliness. Cogitore’s film tells a horrifying moment of civilization's failure and investigates the very moment of emergence of armed conflicts. Afterwards, Clément Cogitore will talk about his approach to the concepts of fiction and documentation and give an immediate insight into his artistic and filmic work. Talk moderated by curator Nadine Isabelle Henrich @isabellenadine The event will be held in English. Admission is free of charge. Video stills: Clément Cogitore. Courtesy Eva Hober, Paris / Reinhard Hauff, Stuttgart. VG Bildkunst, Bonn 2018 #clementcogitore #daimlercontemporary #daimlerartcollection #berlin #evokingreality #videoart #prixmarcelduchamp2018

Daimler Art Collection

4:13pm 02/21/2019 0 10

Still image from George Jenne’s KNOWING ME (knowing you).
Join us at the screening on Thursday February 28, 5:30-7pm.
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George Jenne's background in the film industry, which includes working as a mold maker at Jim Henson's Creature Shop in Hollywood, and as a cinematographer on low budget music videos, informs his relationship to the material aspects of his work, in which "cheap plastic is paramount" and "the faker, the better." He worked as a movie prop-maker in New York while exhibiting at spaces in Manhattan and Brooklyn, such as Exit Art, P.S.122, and Jack the Pelican Presents, to name a few. He has also exhibited at the Nasher Museum at Duke University, the Speed Museum in Louisville, KY, the Contemporary Art Museum in Raleigh, NC, Civilian Art Projects in Washington, DC, and many more. He has been a Creative Capital award finalist and was shortlisted for the Gibbes Museum 1858 Prize. He has attended residencies in Provincetown, MA, twice at the Fine Arts Work Center, as well as the DNA Summer Artist Residency program. Most recently, he was a MacDowell Colony Fellow in Peterborough, NH. He graduated from the Rhode Island School of Design where he served as adjunct faculty in the film, animation, and video department. He received an MFA from the University of North Carolina, in Chapel Hill, where he currently lives.
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#video #videoart #performanceart #videoscreening #experimentalvideoart #unrequitedleisure #nashvillegallery #nashvilleartscene #georgejenne

Unrequited Leisure ( @unrequitedleisure )

Still image from George Jenne’s KNOWING ME (knowing you). Join us at the screening on Thursday February 28, 5:30-7pm. . George Jenne's background in the film industry, which includes working as a mold maker at Jim Henson's Creature Shop in Hollywood, and as a cinematographer on low budget music videos, informs his relationship to the material aspects of his work, in which "cheap plastic is paramount" and "the faker, the better." He worked as a movie prop-maker in New York while exhibiting at spaces in Manhattan and Brooklyn, such as Exit Art, P.S.122, and Jack the Pelican Presents, to name a few. He has also exhibited at the Nasher Museum at Duke University, the Speed Museum in Louisville, KY, the Contemporary Art Museum in Raleigh, NC, Civilian Art Projects in Washington, DC, and many more. He has been a Creative Capital award finalist and was shortlisted for the Gibbes Museum 1858 Prize. He has attended residencies in Provincetown, MA, twice at the Fine Arts Work Center, as well as the DNA Summer Artist Residency program. Most recently, he was a MacDowell Colony Fellow in Peterborough, NH. He graduated from the Rhode Island School of Design where he served as adjunct faculty in the film, animation, and video department. He received an MFA from the University of North Carolina, in Chapel Hill, where he currently lives. . . . #video #videoart #performanceart #videoscreening #experimentalvideoart #unrequitedleisure #nashvillegallery #nashvilleartscene #georgejenne

4:11pm 02/21/2019 0 5

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🔺️Bridgit (2016)🔺️#CharlotteProdger🔺️
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#TurnerPrizeWinner 2018
A series of short clips filmed on an iPhone featuring the Scottish countryside from a train window, a T-shirt on a radiator and a cat pawing at a lamp has helped Charlotte Prodger win the 2018 Turner prize.
Prodger, 44, won for her solo exhibition at the Bergen Kunsthall in Norway, which featured two film works, Bridgit and Stoneymollan Trail. The 32-minute film Bridgit has been on display at #Tate Britain as part of its Turner prize exhibition.
The film is difficult to explain. There is lots going on, a lot of it apparently randomly. It explores class, gender, sexuality and neolithic goddesses.
Prodger filmed the work over the course of a year and included footage of her at home and on her travels. Her narration includes snatches of autobiography.
Alex Farquharson, director of Tate Britain said the jury felt Bridgit was “incredibly impressive in the way that it dealt with lived experience, the formation of a sense of self through disparate references”. He said the work evoked traditions in landscape art and had psychological weight. “It ends up being so unexpectedly expansive. This is not what we expect from video clips shot on iPhones.”
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Golshan ( @golshan_sadeghi )

. 🔺️Bridgit (2016)🔺️#CharlotteProdger 🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ #TurnerPrizeWinner 2018 A series of short clips filmed on an iPhone featuring the Scottish countryside from a train window, a T-shirt on a radiator and a cat pawing at a lamp has helped Charlotte Prodger win the 2018 Turner prize. Prodger, 44, won for her solo exhibition at the Bergen Kunsthall in Norway, which featured two film works, Bridgit and Stoneymollan Trail. The 32-minute film Bridgit has been on display at #Tate Britain as part of its Turner prize exhibition. The film is difficult to explain. There is lots going on, a lot of it apparently randomly. It explores class, gender, sexuality and neolithic goddesses. Prodger filmed the work over the course of a year and included footage of her at home and on her travels. Her narration includes snatches of autobiography. Alex Farquharson, director of Tate Britain said the jury felt Bridgit was “incredibly impressive in the way that it dealt with lived experience, the formation of a sense of self through disparate references”. He said the work evoked traditions in landscape art and had psychological weight. “It ends up being so unexpectedly expansive. This is not what we expect from video clips shot on iPhones.” ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖

7:01pm 02/04/2019 23 523

𓋓. 𓋏 𓆤 𓆙. 𓋓. 𓋏 𓆤𓆤 𒀭𒅎𒈪 Ƹ̵̡Ӝ̵̨̄Ʒ A ̀͏͢͠ ̆̅ͧ͒̏̔̉͂̇ͤͫ͑̓ ̀͏͠ ̆k้ el̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ #zerö́͝ ̓͌̂̒͂̅͆͘͝͝ #glitch j̵̢̻͍̭̀̉̈͠ #diagramO̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗#glitchartistscollective #material #motion #videoart O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗#animation #archilovers l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #videogames l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂͘͝͝͝͝ O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ #artofvisuals # #art ï͂͑̉͆ͧͮͩ̓ͧ̒͒̉̎̂ ͆͑͐ ̓ ̅ͭ͗̐̄̏̾̄͊ͭͥ̐ͭ͊͐̉͗ͪ͐͊̽ͮ͑ͬͨͤ͒ͦ ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂ l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ #videographer #generativeart ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͘͝͝͝͝ #abstractart l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #glitched #abstract l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ ml̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏́͑́̉̂̍̈́͊͊͘̕͝͝͝͝͠#artistsoninstagram #newmedia l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋͘͝͝͝͝#architecture l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #concept O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ #decay ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂̇̐ͣ͒#nature ature #instaartist ï͂͑̉͆ͧͮͩ̓ͧ̒͒̉̎̂ ͆͑͐ ̓ ̅ͭ͗̐̄̏̾̄͊ͭͥ̐ͭ͊͐̉͗ͪ͐͊̽ͮ͑ͬͨͤ͒ͦ ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂̇̐ͣ͒ ̅ͥ̓͐ #color #archs #pixelsorting #instagram l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #arts l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏́͑́̉̂̍̈́͊͊͘̕͝͝͝͝͠

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𓋓. 𓋏 𓆤 𓆙. 𓋓. 𓋏 𓆤𓆤 𒀭𒅎𒈪 Ƹ̵̡Ӝ̵̨̄Ʒ A ̀͏͢͠ ̆̅ͧ͒̏̔̉͂̇ͤͫ͑̓ ̀͏͠ ̆k้ el̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ #zero ̈́͝ ̓͌̂̒͂̅͆͘͝͝ #glitch j̵̢̻͍̭̀̉̈͠ #diagramO ̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗#glitchartistscollective #material #motion #videoart O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗#animation #archilovers l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #videogames l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂͘͝͝͝͝ O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ #artofvisuals # #art ï͂͑̉͆ͧͮͩ̓ͧ̒͒̉̎̂ ͆͑͐ ̓ ̅ͭ͗̐̄̏̾̄͊ͭͥ̐ͭ͊͐̉͗ͪ͐͊̽ͮ͑ͬͨͤ͒ͦ ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂ l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ #videographer #generativeart ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͘͝͝͝͝ #abstractart l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #glitched #abstract l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ ml̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏́͑́̉̂̍̈́͊͊͘̕͝͝͝͝͠#artistsoninstagram #newmedia l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋͘͝͝͝͝#architecture l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #concept O̦̪͓͚͈̦̲̤̝̾͐̋̀͐̍͌̋̆͐ 0̲̠̯̠͉͉̰͚̬̰̓̌͐͆̇̈́̎͑̈́̚ة̌͂͗̎̆̂̔ ̮̻̜͔̘̹̩̭̞̝͆͗ #decay ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂̇̐ͣ͒#nature ature #instaartist ï͂͑̉͆ͧͮͩ̓ͧ̒͒̉̎̂ ͆͑͐ ̓ ̅ͭ͗̐̄̏̾̄͊ͭͥ̐ͭ͊͐̉͗ͪ͐͊̽ͮ͑ͬͨͤ͒ͦ ̈̽ͭͤ̃͌͂̅̄ͨ̐̐ͮͭͪ̈̑͐ͥ ͮͩ͋ͫ͂̇̐ͣ͒ ̅ͥ̓͐ #color #archs #pixelsorting #instagram l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏͘͝͝͝͝͠ #arts l̴̅͑͗͐̈́͊̽͝ ̓̇̐͒̀͌̇̌̽̄̽̏̌͛̔̅̅̉̒͝͝ ̆͗͊͒͋̽̀̀̌̓̏̋̃̂̅̈͂̐̽͑͐̈́̓͊̑͘͘͠ ̈́͝ ̓͌̂̒͂̅͆̏͗́̈́͑̋̂̐͋̓͌̅̀͋̂̋͛̏́͑́̉̂̍̈́͊͊͘̕͝͝͝͝͠

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