Sadie, one of the Executive Produces of #sharkrivermovie has clearly eaten all of her lunch. While donations to our Kickstarter won't go directly to her, they will help us apply to more festivals and allow us to make the best version of this film. Thanks for all of the continued support and donations. Let's see if we can get to our stretch goal of $7500. #independentartist#supportthearts#filmmaker#film#tastefulnudes
A huge THANK YOU to all who joined us on Monday for the show and swoiree. We had such a great SOLD OUT SHOW, and guess what?! We get to do it two more times! If you’re looking for an inexpensive date night with that new app match or long time love, we got you covered on 8/22 (7 PM). And if brunch is on the agenda, why not join us on 8/25 (12 PM) for a show before (or after!) the mimosas? We got you covered. Ticket link in our bio ✨
Ticket on sale now!
5 actors, 3 shows, 1 hour.
We’re so excited to be partnering with @peoria.art.guild to bring the I BUY ART campaign to Peoria’s Fine Art Fair! The featured artist this year is John Leben, a graphic artist with roots in Chicago. // Checkout peoriaartguild.org for more info!
How can we support our fellow artists? Go see their shows and exhibits, be a sounding board during process, tell them they are seen and heard. Fall is about to get crazy with all of our individual projects, but let’s still show up for each other. Big Creature hug from us to you! #showup#makeart#makeartwithlove#supportthearts#supporteachother#dance#dancersofinstagram
Photo credit: @zhaus feat. Creature loves @the_elbowless_hug @hollyledbetter
Excited to announce my very own @patreon page! LINK IN BIO 🔴🔵🔴🔵🔴🔵🔴🔵🔴🔵
If you dig #solovibemondays and the other music and content I put out, check out my Patreon where I will be starting a new video series JUST FOR PATRONS.
$2 PATRON BENEFITS INCLUDE: -Access to EXCLUSIVE Patreon Weekly Update Series with music/videos for patrons▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪- Access to new/unreleased songs, and beats before they are released on social media/iTunes/Spotify ▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪
- You will be entered into our quarterly "V I B E A T" T-Shirt raffle▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪▪ If you like the music Ive put out and have $2, head over and support! It will be appreciated!
With @i105_wfiv for their local radio show. Many folks don’t know how involved Knoxville was with the country/bluegrass/folk music movement in the late 19th and early 20th centuries. I still think K-town has so much to offer the Appalachian culture of the area. I see more and more progress in the arts here, although funding for the arts in schools still seems to be suffering.
Today’s tricentennial portrait: Ashton Phelps Jr. Within a decade of succeeding his father as The Times-Picayune's publisher in 1979, Ashton Phelps Jr. had merged the morning and afternoon newspapers and steered the combined product into an era of daily color illustrations. But the defining moment of his 33 years at the helm of New Orleans' biggest newspaper came on Aug. 29, 2005, when Hurricane Katrina hit. The next day, he ordered the evacuation of the paper's headquarters, joining the exodus in a procession of blue delivery trucks as water lapped at the headlights. In Baton Rouge, the newspaper's home for the next six weeks, Phelps refused the offer of a private office, opting to join colleagues at long tables in a former shopping mall. When the newspaper's Katrina coverage was rewarded with prizes -- including a Pulitzer for public service -- Phelps said credit belonged to the staff, saying the secret is "to build a good team, to have a dedicated team that will put the paper first in a time of crisis."
It's #CycleToWorkDay ! Don't mind if we do! Fancy coming to see us on your wheels? We've got a secure bike rack on the left hand side of the building, with a fab view of the Pathways mural. It's wheely great!
Here at Make/Shift we stand on the belief of support and love! ❤️💡
We would like to thank everyone who has been able to attend all our events and support us in return!
All our events are about being able to support the ideas of makers and help each other further them! 💡
Join our community and help foster makers’ Shift from muse to making!
If you want to join, and learn more click on the link below!👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼
- The Make/Shift Team 💡
‘Crack is like a gateway drug for the next generation of cultural leaders…Run by artists for artists,’ says one of our 2013 CTF producers, Nick Atkins.
Nick expresses the crucial impact CTF has had on his career, ‘Crack was critical in helping me establish myself as a theatre maker and producer. I’m still drawing on the lessons I learned at Crack in my day to day job…Crack introduced me to a progressive, pragmatic and quietly radical approach to navigating the bureaucracies that dictate a major component of arts practice.’ Nick outlines, ‘Crack is the ship we should be willing go down on. And that deserves your support.’ The support Crack receives from generous sponsors and attendees is crucial to securing the success and sustainability of the festival now and into the future. ‘Crack is a festival that exists against all the odds and by supporting it, you become part of that.’ Help us make this network wider and more accessible to our artists and audiences and consider donating today: https://australianculturalfund.org.au/projects/crack-theatre-festival-2018/