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“Change” by Sam Gilliam (1970)

#SamGilliam
#Change
#WashingtonColorSchool
‘Abstraction, Color and Politics in the Early 1970’s’ at UMMA is a small but gorgeous exploration of language, voice, equality and expression.
‘Abstraction, Color and Politics in the Early 1970’s’ at UMMA is a small but gorgeous exploration of language, voice, equality and expression.
We admire Sam Gilliam for not only being a tremendous color field artist, but for excelling as such a talented and moving artist as an African American in the 1960s. Thank you Sam Gilliam for such a splendid career and legacy as a colorist.
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#samgilliam #christies #modernart #africanamerican #artist #art #colors
We admire Sam Gilliam for not only being a tremendous color field artist, but for excelling as such a talented and moving artist as an African American in the 1960s. Thank you Sam Gilliam for such a splendid career and legacy as a colorist. — #samgilliam  #christies  #modernart  #africanamerican  #artist  #art  #colors 
Soul of a Nation: Art in the Age of Black Power @brooklynmuseum
Soul of a Nation: Art in the Age of Black Power @brooklynmuseum
Rg @outrenoirs 🔴 Painterly extase... Fresh from his record in NY this week, this work by Sam Gilliam is one of the highlights of our Dec. sales, along with Joan Mitchell, Wifredo Lam, Hervé Télémaque, Katharina Grosse... ⭕️
Sam Gilliam (born 1933)
Great River Run I
acrylic, aluminum dust and collage of canvases and papers on assembled canvases stitched by the artist
31 ½ x 43 3/8 in.
Executed in 1972-1973. #SamGilliam #Classic #Painting #Christies #Auction
Rg @outrenoirs 🔴 Painterly extase... Fresh from his record in NY this week, this work by Sam Gilliam is one of the highlights of our Dec. sales, along with Joan Mitchell, Wifredo Lam, Hervé Télémaque, Katharina Grosse... ⭕️ Sam Gilliam (born 1933) Great River Run I acrylic, aluminum dust and collage of canvases and papers on assembled canvases stitched by the artist 31 ½ x 43 3/8 in. Executed in 1972-1973. #SamGilliam  #Classic  #Painting  #Christies  #Auction 
🔴 Painterly extase... Fresh from his record in NY this week, this work by Sam Gilliam is one of the highlights of our Dec. sales, along with Joan Mitchell, Wifredo Lam, Hervé Télémaque, Katharina Grosse... ⭕️
Sam Gilliam (born 1933)
Great River Run I
acrylic, aluminum dust and collage of canvases and papers on assembled canvases stitched by the artist
31 ½ x 43 3/8 in.
Executed in 1972-1973. #SamGilliam #Classic #Painting #Christies #Auction
🔴 Painterly extase... Fresh from his record in NY this week, this work by Sam Gilliam is one of the highlights of our Dec. sales, along with Joan Mitchell, Wifredo Lam, Hervé Télémaque, Katharina Grosse... ⭕️ Sam Gilliam (born 1933) Great River Run I acrylic, aluminum dust and collage of canvases and papers on assembled canvases stitched by the artist 31 ½ x 43 3/8 in. Executed in 1972-1973. #SamGilliam  #Classic  #Painting  #Christies  #Auction 
Lady Day II by Sam Gilliam (b. 1933) set a new record for the artist at Christie’s this week when it sold for $2,172,500 against an estimate of $1.5 - 2m.  This painting dates to 1971 and is a tribute to Billie Holiday.  How amazing that Gilliam is alive to see his work finally getting recognition today.  Gilliam is known for his unconventional method of folding the wet painted canvas, which allowed the paints to dissolve into each other.  The results are evocative, abstract forms that look like Rorschach tests.  #samgilliam #contemporaryart #africanamericanart #rorschach #auction #washingtoncolorschool #ladyday #billieholiday
Lady Day II by Sam Gilliam (b. 1933) set a new record for the artist at Christie’s this week when it sold for $2,172,500 against an estimate of $1.5 - 2m. This painting dates to 1971 and is a tribute to Billie Holiday. How amazing that Gilliam is alive to see his work finally getting recognition today. Gilliam is known for his unconventional method of folding the wet painted canvas, which allowed the paints to dissolve into each other. The results are evocative, abstract forms that look like Rorschach tests. #samgilliam  #contemporaryart  #africanamericanart  #rorschach  #auction  #washingtoncolorschool  #ladyday  #billieholiday 
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Last night Sam Gilliam's Lady Day II realised $2,172,500 at @christiesinc in New York, breaking the artist's world auction record. Congratulations!!
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#samgilliam #christies #painting #artauction #auction #record #event #artist #painter #africa #america #abstract #abstractart #newpost #collective #collectors #artistsoninstagram #nyc #newyork #instaart #arty #artadvisory #color #field #washingtondc #selling #artcollectors #arte #artbasel #houseofthenobleman
_ Last night Sam Gilliam's Lady Day II realised $2,172,500 at @christiesinc in New York, breaking the artist's world auction record. Congratulations!! . . . #samgilliam  #christies  #painting  #artauction  #auction  #record  #event  #artist  #painter  #africa  #america  #abstract  #abstractart  #newpost  #collective  #collectors  #artistsoninstagram  #nyc  #newyork  #instaart  #arty  #artadvisory  #color  #field  #washingtondc  #selling  #artcollectors  #arte  #artbasel  #houseofthenobleman 
Kenny Scharf

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Kenny Scharf _
Zimra Beiner 
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Zimra Beiner _
A highlight lot in the 16 November Christie’s Post-War & Contemporary Art Morning Session — Lot 690 Sam Gilliam (b. 1933) “Along” signed and dated on the overlap, acrylic on canvas: 54 1/8 x 30 1/8 - estimate USD150-200,000
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This 1968 canvas is full of mystery and joy — the green aqua colors of this reverse bevel edge canvas remind me of the crystal clear waters off of Islaromada Florida — “Along” was created in a year of turmoil -a time of Vietnam protests, assassinations, and tye died shirts - 1968 was along time ago — the Beatles masterpiece “The White Album” was released - an historic year of creativity and loss that was not as peaceful and solemn as this Sam Gilliam painting.
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#christiesinc #christies #contemporaryart #samgilliam #1968 #peaceandlove
A highlight lot in the 16 November Christie’s Post-War & Contemporary Art Morning Session — Lot 690 Sam Gilliam (b. 1933) “Along” signed and dated on the overlap, acrylic on canvas: 54 1/8 x 30 1/8 - estimate USD150-200,000 • This 1968 canvas is full of mystery and joy — the green aqua colors of this reverse bevel edge canvas remind me of the crystal clear waters off of Islaromada Florida — “Along” was created in a year of turmoil -a time of Vietnam protests, assassinations, and tye died shirts - 1968 was along time ago — the Beatles masterpiece “The White Album” was released - an historic year of creativity and loss that was not as peaceful and solemn as this Sam Gilliam painting. • #christiesinc  #christies  #contemporaryart  #samgilliam  #1968  #peaceandlove 
Gorgeous Sam Gilliam up for sale at Christie’s auction tonight est $1.5 - 2 million. We showed Gilliam @the_arts_club in 2015 and he was in our group show of 70s abstract painting  @pacegallery London last year. Overlooked for so many years, we’ve been thrilled to see so many museums showing and acquiring his work. Lucky is the buyer of this work tonight. https://www.christies.com/LotFinder/lot_details.aspx?intObjectID=6171873 @wedelart @christiesinc #samgilliam @davidkordanskygallery #70sabstraction #washingtoncolorschool
Gorgeous Sam Gilliam up for sale at Christie’s auction tonight est $1.5 - 2 million. We showed Gilliam @the_arts_club in 2015 and he was in our group show of 70s abstract painting @pacegallery London last year. Overlooked for so many years, we’ve been thrilled to see so many museums showing and acquiring his work. Lucky is the buyer of this work tonight. https://www.christies.com/LotFinder/lot_details.aspx?intObjectID=6171873 @wedelart @christiesinc #samgilliam  @davidkordanskygallery #70sabstraction  #washingtoncolorschool 
Tony Cragg

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Tony Cragg _
Jean-Michel Basquiat photographed inside of his studio on Great Jones Street in 1987.
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Jean-Michel Basquiat photographed inside of his studio on Great Jones Street in 1987. _
Alma Thomas, Sam Gilliam, Morris Louis and Laura Owens @mnuchin_gallery #almathomas #samgilliam #morrislouis #lauraowens
Mai-Thu Perret, Sam Gilliam, Lynda Benglis @mamco_geneve #maithuperret #samgilliam #lyndabenglis #mamco
Sam Gilliam’s ‘Lady Day II’ (1971) will be offered at Christie’s Post-War & Contemporary Art Evening Sale in November in New York with an estimate of $1.5 - 2million. It was recently exhibited at the seminal Sam Gilliam retrospective Kunstmuseum Basel. Considering the current hot market for the artist, it can be expected to sell for well beyond the high estimate. •
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#christies #postwarandcontemporaryart #eveningsale #newyork #novembersales #samgilliam #1971 #artauction #auctionhouse #contemporaryart #art #auctionweek #artist #artoftheday #instaart #potd #artlover #dontmiss #artadvisory
Sam Gilliam’s ‘Lady Day II’ (1971) will be offered at Christie’s Post-War & Contemporary Art Evening Sale in November in New York with an estimate of $1.5 - 2million. It was recently exhibited at the seminal Sam Gilliam retrospective Kunstmuseum Basel. Considering the current hot market for the artist, it can be expected to sell for well beyond the high estimate. • • • #christies  #postwarandcontemporaryart  #eveningsale  #newyork  #novembersales  #samgilliam  #1971  #artauction  #auctionhouse  #contemporaryart  #art  #auctionweek  #artist  #artoftheday  #instaart  #potd  #artlover  #dontmiss  #artadvisory 
Wassily Kandinsky 'Free Curve to the Point'
(1925)

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Wassily Kandinsky 'Free Curve to the Point' (1925) _
The draped & painted canvases of Sam Gilliam 🦑♥️ #samgilliam #colorfieldpainter #lyricalabstraction #designinspiration #abstractexpressionism
Rie Froehlich '...My Treasure chest'
(2018)

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Rie Froehlich '...My Treasure chest' (2018) _
@Weschlers December 7th Capital Collections auction catalogue now online!  Click link in bio to view complete catalogue!  Exhibition starts December 1st•
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#art #auction #capitalcollections #weschlers #fineart #artist #lepho #samgilliam #dcartist #johnstobart #riverboat #ogdenplesissner #sportingart #fishing #emeralds #diamonds #sapphires  #estatejewelry #cartier #cartiernecklace #cartierwatch #tiffany #lazarekaplan #dc #antiques #sneakpeak #sterling #meissen #invaluable
@Weschlers December 7th Capital Collections auction catalogue now online! Click link in bio to view complete catalogue! Exhibition starts December 1st• • • • • • #art  #auction  #capitalcollections  #weschlers  #fineart  #artist  #lepho  #samgilliam  #dcartist  #johnstobart  #riverboat  #ogdenplesissner  #sportingart  #fishing  #emeralds  #diamonds  #sapphires  #estatejewelry  #cartier  #cartiernecklace  #cartierwatch  #tiffany  #lazarekaplan  #dc  #antiques  #sneakpeak  #sterling  #meissen  #invaluable 
Wonderful Sam Gilliam piece titled, “Wave” 1972 will bring colorful energy to our clients guest room #toddyoggydesigns #interiordesign #auctionpurchase #samgilliam #colors #green #blue #likewater #art #modern #70s
Jean-Michel Basquiat 'Untitled'
(1982)

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Jean-Michel Basquiat 'Untitled' (1982) _
#SamGilliam “Swing”, 1964
Sam Gilliam, Brooklyn Museum. #soulofanationbkm #samgilliam
Cy Twombly 'Untitled'
(1964)

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Cy Twombly 'Untitled' (1964) _
#Repost @artbasel (@get_repost)
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#SamGilliam’s site-specific installation of Drape paintings is this week's #artbasel Instagram. Exhibited in this year’s Unlimited sector by @DavidKordanskyGallery, the color-stained canvases were suspended from multiple points and filled an entire room, creating a fully immersive experience for viewers. Thanks for sharing, @karinsmillah!
#Repost  @artbasel (@get_repost) ・・・ #SamGilliam ’s site-specific installation of Drape paintings is this week's #artbasel  Instagram. Exhibited in this year’s Unlimited sector by @DavidKordanskyGallery, the color-stained canvases were suspended from multiple points and filled an entire room, creating a fully immersive experience for viewers. Thanks for sharing, @karinsmillah!
Back to NYC and this!! 🙌 No place quite like New York 💜
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Morris Louise, Alexander Calder, Helen Frankenthaler, Sam Gilliam @christiesinc . Highly anticipated Nov. 15th “Post-war and Contemporary Art” evening sales auction preview .
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#christiesauction #christiesinc #morrislouis #helenfrankenthaler #samgilliam #alexsandercalder #artauction #artauctionpreview #comtemporaryart #colorfield #abstractexpressionism #abstract  #newyorkart #nyart #크리스티옥션 #옥션프리뷰 #컨템포러리아트 #미술경매
Back to NYC and this!! 🙌 No place quite like New York 💜 — Morris Louise, Alexander Calder, Helen Frankenthaler, Sam Gilliam @christiesinc . Highly anticipated Nov. 15th “Post-war and Contemporary Art” evening sales auction preview . . . . . . #christiesauction  #christiesinc  #morrislouis  #helenfrankenthaler  #samgilliam  #alexsandercalder  #artauction  #artauctionpreview  #comtemporaryart  #colorfield  #abstractexpressionism  #abstract  #newyorkart  #nyart  #크리스티옥션  #옥션프리뷰  #컨템포러리아트  #미술경매 
A veritable revolutionary figure in 20th century postwar art, Sam Gilliam’s body of work helped define the radical and influential Washington Color School and pushed the very genre of Color Field painting to an unbridled extreme. 
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Coming of age in the social and political instability of the 1960s, Sam Gilliam was interested in disrupting the traditional distinctions between art, architecture and sculpture, in addition to investigating the properties of physically combining his chosen medium and support. Hence, in Lady Day II, we find the radical implementation of beveled edged stretchers, which help to give the impression that the painting is emerging from the wall as an object of weight and substance. 
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The title an artist assigns to an artwork is an essential part of their essence. Much like his contemporaries, Sam Gilliam was heavily influenced by his love of jazz, and Lady Day II is a seminal example of this influence. Lady Day II refers to the inimitable ‪Billie Holiday‬, who was eponymously nicknamed Lady Day by her friend and music partner ‪Lester Young‬.
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Sam Gilliam (b. 1933)
Lady Day II
acrylic on canvas
107 x 160 in. (271.8 x 406 cm.)
Painted in 1971.
Post-War and Contemporary Art Evening Sale | New York | ‪15 November‬
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#christieslosangeles #christies #art #auction  #postwarcontemporary #losangeles #twentiethcentury #samgilliam #billieholiday #newyork #abstractart
A veritable revolutionary figure in 20th century postwar art, Sam Gilliam’s body of work helped define the radical and influential Washington Color School and pushed the very genre of Color Field painting to an unbridled extreme. ________________________________________ 
Coming of age in the social and political instability of the 1960s, Sam Gilliam was interested in disrupting the traditional distinctions between art, architecture and sculpture, in addition to investigating the properties of physically combining his chosen medium and support. Hence, in Lady Day II, we find the radical implementation of beveled edged stretchers, which help to give the impression that the painting is emerging from the wall as an object of weight and substance. ________________________________________ The title an artist assigns to an artwork is an essential part of their essence. Much like his contemporaries, Sam Gilliam was heavily influenced by his love of jazz, and Lady Day II is a seminal example of this influence. Lady Day II refers to the inimitable ‪Billie Holiday‬, who was eponymously nicknamed Lady Day by her friend and music partner ‪Lester Young‬. ___________________________________________ Sam Gilliam (b. 1933)
Lady Day II
acrylic on canvas
107 x 160 in. (271.8 x 406 cm.)
Painted in 1971. Post-War and Contemporary Art Evening Sale | New York | ‪15 November‬ ___________________________________________ #christieslosangeles  #christies  #art  #auction  #postwarcontemporary  #losangeles  #twentiethcentury  #samgilliam  #billieholiday  #newyork  #abstractart 
David Kordansky Gallery at #ArtBaselMiamiBeach, December 6 - 9, 2018
Galleries | Booth B14
Galleries preview takes place December 5 and 6 for invited guests.
Visit ArtBasel.com for more information.
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Presenting works by: #MarkusAmm #KathrynAndrews #HumaBhabha #WillBoone #MatthewBrannon #ValentinCarron #AaronCurry #FredEversley #SamGilliam #JenniferGuidi #LaurenHalsey #ZachHarris #EvanHolloway #RashidJohnson #ChrisMartin #IvanMorley #ShahryarNashat #RubyNeri #MaiThuPerret #JonPestoni #TorbjørnRødland #RickySwallow #LesleyVance #MaryWeatherford #JonasWood #BettyWoodman
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Images (l-r): Kathryn Andrews, 'Licorice,' 2018, stainless steel, aluminum, ink, and paint, 86 1/4 x 63 1/2 x 10 inches; Lauren Halsey, 'that fuss wuz us,' 2018, white cement, carpet, foam, wood, and mixed media, 110 x 49 x 49 inches; Jennifer Guidi, 'Offerings to the Sun (Painted Sand SF #1F, Pink, Yellow, Orange Gradient, White),' 2018, sand, acrylic, and oil on linen, 92 x 74 1/4 x 1 3/4 inches; Aaron Curry, 'Multidimensional Dude Complex,' 2018, painted aluminum and stainless steel, 84 1/4 x 54 x 38 inches; Torbjørn Rødland, 'Look What You Did!,' 2017, chromogenic print, 55 1/8 x 43 3/8 inches, framed: 56 x 44 1/4 x 1 1/2 inches, Edition of 3 with 1 AP; Rashid Johnson, 'Untitled Microphone Sculpture,' 2018, bronze, ceramic tile, mirror tile, books, shea butter, oil stick, black soap, and wax, 72 x 72 x 7 inches 
@ArtBasel
David Kordansky Gallery at #ArtBaselMiamiBeach , December 6 - 9, 2018 Galleries | Booth B14 Galleries preview takes place December 5 and 6 for invited guests. Visit ArtBasel.com for more information. . Presenting works by: #MarkusAmm  #KathrynAndrews  #HumaBhabha  #WillBoone  #MatthewBrannon  #ValentinCarron  #AaronCurry  #FredEversley  #SamGilliam  #JenniferGuidi  #LaurenHalsey  #ZachHarris  #EvanHolloway  #RashidJohnson  #ChrisMartin  #IvanMorley  #ShahryarNashat  #RubyNeri  #MaiThuPerret  #JonPestoni  #TorbjørnRødland  #RickySwallow  #LesleyVance  #MaryWeatherford  #JonasWood  #BettyWoodman  . Images (l-r): Kathryn Andrews, 'Licorice,' 2018, stainless steel, aluminum, ink, and paint, 86 1/4 x 63 1/2 x 10 inches; Lauren Halsey, 'that fuss wuz us,' 2018, white cement, carpet, foam, wood, and mixed media, 110 x 49 x 49 inches; Jennifer Guidi, 'Offerings to the Sun (Painted Sand SF #1F , Pink, Yellow, Orange Gradient, White),' 2018, sand, acrylic, and oil on linen, 92 x 74 1/4 x 1 3/4 inches; Aaron Curry, 'Multidimensional Dude Complex,' 2018, painted aluminum and stainless steel, 84 1/4 x 54 x 38 inches; Torbjørn Rødland, 'Look What You Did!,' 2017, chromogenic print, 55 1/8 x 43 3/8 inches, framed: 56 x 44 1/4 x 1 1/2 inches, Edition of 3 with 1 AP; Rashid Johnson, 'Untitled Microphone Sculpture,' 2018, bronze, ceramic tile, mirror tile, books, shea butter, oil stick, black soap, and wax, 72 x 72 x 7 inches @ArtBasel
Marcel Duchamp 'Roue de Bicyclette (Bicycle Wheel)'
(1913-1964)
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Marcel Duchamp 'Roue de Bicyclette (Bicycle Wheel)' (1913-1964) _
Just a sampling of the works that will go to auction this week at @christiesinc. #richarddiebenkorn #albertoburri #pierresoulages #markrothko #samgilliam
Joel P Hille
'Children absorb what they hear and see so set a good example.'
15 by 22 in (2018)
Joel P Hille 'Children absorb what they hear and see so set a good example.' 15 by 22 in (2018)
Pablo Picasso
'Femme assise en costume rouge sur fond bleu'
Oil on panel
91.9 by 72.9 cm
(1953)
Pablo Picasso 'Femme assise en costume rouge sur fond bleu' Oil on panel 91.9 by 72.9 cm (1953)
Great visit of the great Sam Gilliam at his studio in Washington DC.  You were right Rashid! #samgilliam #washingtondc @rashidjohnson #davidkordanskygallery #newmuseum
Kehinde Wiley
'Portrait Bust of Cardinal Richelieu'
(2009)
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Kehinde Wiley 'Portrait Bust of Cardinal Richelieu' (2009) _
“Untitled” by Sam Gilliam (1968)

#SamGilliam
#painter
#WashingtonColorSchool
Sam Gilliam 1971 #samgilliam
"One stripe is a chord, many are a note, all are played by hand."
- Sean Scully
"One stripe is a chord, many are a note, all are played by hand." - Sean Scully
Tim Eitel

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Tim Eitel _
Ricky Swallow
'Chair with Rope'
patinated bronze and oil paint
36 by 101 by 20 in
(2018)
Ricky Swallow 'Chair with Rope' patinated bronze and oil paint 36 by 101 by 20 in (2018)
Much like his contemporaries, Sam Gilliam was heavily influenced by his love of jazz, and Lady Day II is a seminal example of this influence. Gilliam himself notes, “the more far out the better,” and that his own work evoked “the drama of music and the drama of colors coming together.”
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Sam Gilliam (b. 1933)
Lady Day II
Estimated to sell @christiesinc Rockefeller Center for
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$1,500,000 - $2,000,000
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Check out our video on Sam Gilliam here: http://www.galleryintell.com/sam-gilliam-david-kordansky-gallery-frieze-new-york/

The tall vertical columns of jewel-like colors are emblematic of the paint-staining technique that Gilliam first developed in the 1960s, in which he poured diluted pigment directly onto the surface of his unprimed support.
“When they’re unfolded, there are pieces of geometry in them, which is part of the aesthetic,” explains Stephen Frietch, who has assisted the artist for over 35 years and has witnessed the evolution of his practice. “In a sense, it is a mini version of how the early drapes were made.” .
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#abstractexpressionism #SamGilliam #art #contemporaryart #americanart #american #modernart #painting #oncanvas #colorfielding #masterpiece #artauction #newyork #christies #artmarket #buyart #sothebys #newyorkschool #artoftheday #fineart  #frankenthaler #arthistory #colorfielding #collectart #artcollector  #design #interiordesign #abstract #abstractart @artbasel @thearmoryshow @theartnewspaper.official @artnet @bonhams @hackett.mill @hollistaggart @whitneymuseum @davidkordanskygallery @friezeartfair @WilliamsCollege @Hirshhorn @PhillipsCollection
Much like his contemporaries, Sam Gilliam was heavily influenced by his love of jazz, and Lady Day II is a seminal example of this influence. Gilliam himself notes, “the more far out the better,” and that his own work evoked “the drama of music and the drama of colors coming together.” . Sam Gilliam (b. 1933) Lady Day II Estimated to sell @christiesinc Rockefeller Center for . $1,500,000 - $2,000,000 . Check out our video on Sam Gilliam here: http://www.galleryintell.com/sam-gilliam-david-kordansky-gallery-frieze-new-york/ The tall vertical columns of jewel-like colors are emblematic of the paint-staining technique that Gilliam first developed in the 1960s, in which he poured diluted pigment directly onto the surface of his unprimed support. “When they’re unfolded, there are pieces of geometry in them, which is part of the aesthetic,” explains Stephen Frietch, who has assisted the artist for over 35 years and has witnessed the evolution of his practice. “In a sense, it is a mini version of how the early drapes were made.” . . #abstractexpressionism  #SamGilliam  #art  #contemporaryart  #americanart  #american  #modernart  #painting  #oncanvas  #colorfielding  #masterpiece  #artauction  #newyork  #christies  #artmarket  #buyart  #sothebys  #newyorkschool  #artoftheday  #fineart   #frankenthaler  #arthistory  #colorfielding  #collectart  #artcollector   #design  #interiordesign  #abstract  #abstractart  @artbasel @thearmoryshow @theartnewspaper.official @artnet @bonhams @hackett.mill @hollistaggart @whitneymuseum @davidkordanskygallery @friezeartfair @WilliamsCollege @Hirshhorn @PhillipsCollection
David Hockney 'Portrait of an Artist (Pool with Two Figures)'
Estimated at $80M
(1972)
David Hockney 'Portrait of an Artist (Pool with Two Figures)' Estimated at $80M (1972)
Barnett Newman
'The Stations of the Cross'
(1958-1966)

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Barnett Newman 'The Stations of the Cross' (1958-1966) _
Inspiration courtesy #samgilliam @brooklynmuseum 💕🌈
Inspiration courtesy #samgilliam  @brooklynmuseum 💕🌈
George Condo 'The Cracked Cardinal'
(2001)

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George Condo 'The Cracked Cardinal' (2001) _
Richard Diebenkorn, Ocean Park 137, 1985; Untitled, 1976; Helen Frankenthaler, Red Square, 1959; Alexander Calder, 1949; Martin Puryear, Sharp and Flat, 1987; Morris Louis, Para IV, 1959; Sam Gilliam, Lady Day II, 1971; Alexander Calder, 21 Feuilles Blanches, 1953 @christiesinc Post War and Contemporary Evening Sale (November 15, 2018).
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#RichardDiebenkorn #HelenFrankenthaler #Calder #Puryear #MorrisLouis #SamGilliam #Christies #PostWar #Contemporary
Henri Matisse 'Odalisque, mains dans le dos'
(1923)

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Henri Matisse 'Odalisque, mains dans le dos' (1923) _
David Kordansky Gallery @WestBundArtFair, on view through THIS SUNDAY, November 11. Booth A112. Presenting works by: #MarkusAmm #JohnArmleder #WillBoone #AaronCurry #SamGilliam #EvanHolloway #TalaMadani #ChrisMartin #RubyNeri #AnthonyPearson #JonPestoni #TorbjørnRødland #JonasWood #BettyWoodman
#WestBundArtandDesign2018 #Shanghai
It’s that time of the year! Some great pieces to be auctioned @christiesinc next week.. #davidhockney #andywarhol #brucenauman #richardprince #sigmarpolke #christopherwool #renemagritte #claudemonet #markrothko #samgilliam #auctionweek
Left: Mark Rothko 
Right: Morris Louis

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Left: Mark Rothko Right: Morris Louis _
Yesterday students in my Afam Art class talked a bit about the art analysis essays they completed this week. They had their choice of these seven pieces currently on display at the Zimmerli Art Museum at Rutgers- New Brunswick. #samgilliam #hughieleesmith #bennyandrews #romarebearden #henryossawatanner #emmaamos #richardhunt #zimmerliartmuseum #rutgersuniversity #africanamericanart #art #design #oilpainting #collage
One of the first things visitors see when they come through the front entrance of the GCMA is Sam Gilliam's large, draped painting, "Carousel Merge 4." Gilliam (born 1933) gave this as a gift to the GCMA in 1971, and since then, it has been hung and rehung in countless ways. Like jazz, Gilliam says, "My Drape paintings are never hung the same way twice. The composition is always present, but one must let things go, be open to improvisation, spontaneity, what’s happening in a space while one works.”⠀
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Now on view. [1971. Acrylic on canvas.]
One of the first things visitors see when they come through the front entrance of the GCMA is Sam Gilliam's large, draped painting, "Carousel Merge 4." Gilliam (born 1933) gave this as a gift to the GCMA in 1971, and since then, it has been hung and rehung in countless ways. Like jazz, Gilliam says, "My Drape paintings are never hung the same way twice. The composition is always present, but one must let things go, be open to improvisation, spontaneity, what’s happening in a space while one works.”⠀ ⠀ Now on view. [1971. Acrylic on canvas.]
“Always hold on to that childhood playfulness- those moments that remain steadfast in our memory should always be fresh! Just because we grow up doesn’t mean our playful innocence and wonder should cease to exist!” - Ty Nathan Clark (@tynathanclark)
“Always hold on to that childhood playfulness- those moments that remain steadfast in our memory should always be fresh! Just because we grow up doesn’t mean our playful innocence and wonder should cease to exist!” - Ty Nathan Clark (@tynathanclark)
snapped a stranger matching whirlirama 1970 by sam gilliam (b. 1933) at the @metmuseum during frieze week in may 🌈🌈🌈🌈🌈🌈🌈🌈🌈
I’ll be bringing the african art vibes again to bonhams nyc 580 madison ave next week - dm me if ur in town 🗽🇺🇸🎨✨
snapped a stranger matching whirlirama 1970 by sam gilliam (b. 1933) at the @metmuseum during frieze week in may 🌈🌈🌈🌈🌈🌈🌈🌈🌈 I’ll be bringing the african art vibes again to bonhams nyc 580 madison ave next week - dm me if ur in town 🗽🇺🇸🎨✨
Tony Cragg 'Tommy' (2013)

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Tony Cragg 'Tommy' (2013) _
Pablo Picasso 'Femme dans un fauteuil (Dora Maar)'
Oil on canvas
92 by 73 cm
(1942)
Pablo Picasso 'Femme dans un fauteuil (Dora Maar)' Oil on canvas 92 by 73 cm (1942)
Gary Hume

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Gary Hume _