When you can’t control what’s happening, challenge yourself to control the way you respond to what’s happening. That’s where your power is...👑.
Use discount code ‘PLURANGELS’ to save 10% off @jaimodallc 💲
Última semana para prestigiar a mostra ENTRE CLÉA na #galeriapedropaulovecchietti . Na foto em destaque meu trabalho EU, EU MESMA E UM OUTRO EU, selfie realizado após momento performático com argila líquida vermelha. A obra traduz a minha identidade de ceramista, a multiplicidade de uma mulher artista e seus desdobramentos no mundo contemporâneo. Me faço barro, já que do barro vim e para o pó da terra retornarei. O barro está em mim, ocupa meu corpo, espaços, prazeres, esforços e intelecto até o ponto que sou a imagem dele. Simbiose vital: o barro sou eu, eu sou o barro. Eu, eu mesma e um outro eu. #myartwork#ceramic#ceramics#ceramica#cerâmica#performanceart#photo#sublimaçãodigital#fotografia#fotoarte
Live at stationrose.com
Digital STATION ROSE art and music, STReamed in real time, started off as “Webcasting 1.0” during the 1999 “CrossLinks” exhibition in Berlin co-curated by Gabriele Horn, director of KunstWerke Berlin. Back then there was no YouTube, Facebook or Twitter. Around 200 webcasts were broadcast from Frankfurt until 2005, when headquarters moved to the STR studio in Vienna, which was converted into a webcasting studio in 2017. Webcasting is a real-time online art form that emerges in the moment of STReaming.
During VIENNA ART WEEK and on the occasion of their anniversary year 30.0, artist Elisa Rose and composer Gary Danner, “pioneers of digital culture” (FAZ), will perform a live stream and première the composition entitled “Promising 30.0 & beyond” on the Internet.
#30 .0 #stationrose#digitalart#electronica#glitchart#contemporaryartists#livestream#viennaartweek#webcast#performanceart#promising30 .0&beyond
“What I’d love for people to know about my practice is that there’s an urgency to connect.
How we communicate, how we sort of negotiate through space—this is how empathy is built… I think that the lens of history really allows me to think through my present moment and this desire to reconnect the future.” –@jamilahsabur
Jamilah Sabur navigates domains of embodied cognition, social mimicry, dissonance, ritual and the uncanny.
Her focus on empathy for the viewer's psychological experience of her work turns the impressions her they leave with into an extension of her craft.
"OBITUARY"📰💄☠️🌹💍 Last month @ether.machine and myself took part in Lorde Franzanian's royal Olympian spectacular and 12th annual vaudeville show . For our act we covered the Agent Ribbons song "Obituary"- a macabre, musical, and cautionary tale of meteors and marriage. A few details of the act I want to mention 1) @ether.machine's guitar is covered in the obituaries of necRomancable bachelors including James Dean, Jimmy Hendrix, David Bowie, and Elvis 2)My Newspaper stack of obituaries has the Tinder logo pasted on the front 3) I am dressed to mourn myself 4) the people you hear screaming in the background are not audience members but drunk people in the alleyway behind the theatre 5) This was cut out in the recorded footage, but before I exit the stage I kick one of my heels up and throw the newspaper over my shoulder and into the air /// CHECK OUT MY SOUND ACCOUNT @creature.habits.music TO KEEP UP WITH MORE MUSICAL MADNESS!!!