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#fiac2017 medias

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Rodrigo Matheus,
Le Cyclop,
2017,
Envelops,
94 x 92 x 12 cm,
This artwork was displayed in the Grand Palais for the FIAC2017 by Galerie Nathal Obadia.

#RodrigoMatheus, #NathalieObadia #FIAC (#FIAC2017), #GrandPalais, #Paris, #France
I almost forgot it's a #throwbackthursday 😆 To change the theme of the Blue Aegean, here is the Green #tbt from #fiac2017 #paris where I  look into the Pistoletto's #mirrors and strive to preserve my #hope for a better & fair world 🍀 #greenisfohope #greenisacolorofhope #contemporaryart #artfair #lifeisart #michelangelopistoletto #artismysavior
Artur Lescher emerged in the mid-80’s, influenced by the Neo-Concrete movement (Mira Schendel, Helio Oiticica, Sergio Camargo), into the Brazilian art scene. From this point of rupture he has presented his work in the major museums and institutions of Brazil including: the São Paulo Biennale, Biennale Mercosur, MAC and MAM in São Paulo. He has also exhibited his work in Germany, Argentina, Colombia, Spain, USA and France.

Arthur Lescher comenzó su carrera en los 80s, influenciado por el movimiento Neo-Concrete (Mira Schendel, Helio Oiticica, Sergio Camargo), en la escena de arte de Brasil. Desde este punto de ruptura, él ha presentado su trabajo en los mejores museos e instituciones de Brasil, incluyendo: La Biennale en Sao Paulo, Biennale Mercosur, MAC and MAM en Sao Paulo. Ha exhibido su trabajo en Alemania, Argentina, Colombia, España, EUA y Francia.

Images: Porticus, Palais d'iéna, FIAC 2017, Paris, France.
Benoît Fougeirol © courtesy the artist.

#ArturLescher #OMR #OMRartist #ContemporaryArt #FIAC2017 #PalaisdLéna #Porticus
Artur Lescher emerged in the mid-80’s, influenced by the Neo-Concrete movement (Mira Schendel, Helio Oiticica, Sergio Camargo), into the Brazilian art scene. From this point of rupture he has presented his work in the major museums and institutions of Brazil including: the São Paulo Biennale, Biennale Mercosur, MAC and MAM in São Paulo. He has also exhibited his work in Germany, Argentina, Colombia, Spain, USA and France. Arthur Lescher comenzó su carrera en los 80s, influenciado por el movimiento Neo-Concrete (Mira Schendel, Helio Oiticica, Sergio Camargo), en la escena de arte de Brasil. Desde este punto de ruptura, él ha presentado su trabajo en los mejores museos e instituciones de Brasil, incluyendo: La Biennale en Sao Paulo, Biennale Mercosur, MAC and MAM en Sao Paulo. Ha exhibido su trabajo en Alemania, Argentina, Colombia, España, EUA y Francia. Images: Porticus, Palais d'iéna, FIAC 2017, Paris, France. Benoît Fougeirol © courtesy the artist. #ArturLescher  #OMR  #OMRartist  #ContemporaryArt  #FIAC2017  #PalaisdLéna  #Porticus 
FIAC Hors les Murs | Marc Couturier, "Lame", 2016 via Laurent Godin
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A few hours left to apply to the 2018 edition of FIAC Hors les Murs
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#FIAC #fiac2017 #fiachorslesmurs @laurentgodingalerie #marccouturier
FIAC Hors les Murs | Marc Couturier, "Lame", 2016 via Laurent Godin __ A few hours left to apply to the 2018 edition of FIAC Hors les Murs __ #FIAC  #fiac2017  #fiachorslesmurs  @laurentgodingalerie #marccouturier 
FIAC Projects invites its exhibitors to present artworks in prestigious conditions in direct proximity to their booth, in the prestigious context of the Petit Palais, on the Avenue Winston Churchill and the Grand Palais’ surroundings.
A few days left to apply ! 
This year, Marc-Olivier Wahler (Director of the Eli and Edythe Broad Art Museum at Michigan State University) is FIAC Project’s guest curator.
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Foreground: Nicholas Hlobo, "MPHEPHETHE UTHE CWAKA", 2017 via Lehmann Maupin
In the centre: Kim Yon Ik, "Two pieces", 2017 via Kukje Gallery / Tina Kim Gallery
Background: Vlassis Caniaris, "Child", 1980 via Peter Kilchmann
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#FIAC #fiac2017 #fiacprojects #nicholashlobo #vlassiscaniaris #kimyongik #marcolivierwahler
FIAC Projects invites its exhibitors to present artworks in prestigious conditions in direct proximity to their booth, in the prestigious context of the Petit Palais, on the Avenue Winston Churchill and the Grand Palais’ surroundings. A few days left to apply ! This year, Marc-Olivier Wahler (Director of the Eli and Edythe Broad Art Museum at Michigan State University) is FIAC Project’s guest curator. __ Foreground: Nicholas Hlobo, "MPHEPHETHE UTHE CWAKA", 2017 via Lehmann Maupin In the centre: Kim Yon Ik, "Two pieces", 2017 via Kukje Gallery / Tina Kim Gallery Background: Vlassis Caniaris, "Child", 1980 via Peter Kilchmann __ #FIAC  #fiac2017  #fiacprojects  #nicholashlobo  #vlassiscaniaris  #kimyongik  #marcolivierwahler 
FIAC Projects | Martin Honert, " Mutprobe (Test of Courage)", 1999 via Esther Schipper
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A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th.
Marc-Olivier Wahler is 2018 guest curator.
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#FIAC #fiac2017 #fiacprojects #martinhonert @estherschipperberlin
FIAC Projects | Martin Honert, " Mutprobe (Test of Courage)", 1999 via Esther Schipper __ A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th. Marc-Olivier Wahler is 2018 guest curator. __ #FIAC  #fiac2017  #fiacprojects  #martinhonert  @estherschipperberlin
FIAC Projects | Fabrice Samyn, "Untitled (Détail)", 2016 via Meessen De Clercq
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A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th.
Marc-Olivier Wahler is 2018 guest curator.
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Photo : Marc Domage
#FIAC #fiac2017 #fiacprojects #fabricesamyn @meessendeclercq
FIAC Projects | Fabrice Samyn, "Untitled (Détail)", 2016 via Meessen De Clercq __ A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th. Marc-Olivier Wahler is 2018 guest curator. __ Photo : Marc Domage #FIAC  #fiac2017  #fiacprojects  #fabricesamyn  @meessendeclercq
FIAC Projects | Erwin Wurm, "Untitled (Alphabet)", 2016 via Thaddaeus Ropac
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A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th.
Marc-Olivier Wahler is 2018 guest curator.
__
Photo : Marc Domage
#FIAC #fiac2017 #fiacprojects #erwinwurm @thaddaeusropac
FIAC Projects | Erwin Wurm, "Untitled (Alphabet)", 2016 via Thaddaeus Ropac __ A few days left to apply to FIAC Projects ! Galleries, you can apply until June 30th. Marc-Olivier Wahler is 2018 guest curator. __ Photo : Marc Domage #FIAC  #fiac2017  #fiacprojects  #erwinwurm  @thaddaeusropac
So here is the brief. Just step in office tomorrow and pretend it is all under control. I’ll get a few hours snore more, no one will notice. 😴 #fiac2017 @fiacparis
So here is the brief. Just step in office tomorrow and pretend it is all under control. I’ll get a few hours snore more, no one will notice. 😴 #fiac2017  @fiacparis
Les oeuvres de la Comic Strips Collection de Boudro s'inscrivent dans sa démarche de marier la folle structure de la ville au côté ludique des bandes dessinées. 
Comic Strips Collection de Boudro: ici, l'artiste construit l'espace comme un plan urbain. Les lignes blanches de l'oeuvre forment des rues et des avenues. Sous le coup de pinceau de Boudro, le plan urbain de la ville se transforme en Comic Strips. Ici, les sujets, les personnages et les publicités s'éclatent comme en plein coeur de Times Square. Un chaos organisé!
​
Comic Stripes 
Acrylique sur bois
44 X 44 Pouces / 111 cm x 111 cm -The works of the Comic Strips Collection of Boudro are part of his approach to marry the crazy structure of the city to the playful side of comics. 
Comic Strips Collection by Boudro: here, the artist constructs space as an urban plan. The white lines of the work form streets and avenues. Under the brushstroke of Boudro, the urban plan of the city is transformed into Comic Strips. Here, the subjects, the characters and the advertisements are thrilled as in the heart of Times Square. Organized chaos!

Comic Stripes
Acrylic on wood
44 X 44 Inches / 111 cm x 111 cm

For information to write: Arting159@gmail.com #publication #bloggersart #arts #artsy #collectors#collezionistidartemoderna #collectorsarts #cadiase #forbes #yachtsclub #ferrariclub #golfclubs #neopopart #streetart #artlondon2018 #fiac2017 #artemilano #artemilanogallerie
Les oeuvres de la Comic Strips Collection de Boudro s'inscrivent dans sa démarche de marier la folle structure de la ville au côté ludique des bandes dessinées. Comic Strips Collection de Boudro: ici, l'artiste construit l'espace comme un plan urbain. Les lignes blanches de l'oeuvre forment des rues et des avenues. Sous le coup de pinceau de Boudro, le plan urbain de la ville se transforme en Comic Strips. Ici, les sujets, les personnages et les publicités s'éclatent comme en plein coeur de Times Square. Un chaos organisé! ​ Comic Stripes Acrylique sur bois 44 X 44 Pouces / 111 cm x 111 cm -The works of the Comic Strips Collection of Boudro are part of his approach to marry the crazy structure of the city to the playful side of comics. Comic Strips Collection by Boudro: here, the artist constructs space as an urban plan. The white lines of the work form streets and avenues. Under the brushstroke of Boudro, the urban plan of the city is transformed into Comic Strips. Here, the subjects, the characters and the advertisements are thrilled as in the heart of Times Square. Organized chaos! Comic Stripes Acrylic on wood 44 X 44 Inches / 111 cm x 111 cm For information to write: Arting159@gmail.com #publication  #bloggersart  #arts  #artsy  #collectors #collezionistidartemoderna  #collectorsarts  #cadiase  #forbes  #yachtsclub  #ferrariclub  #golfclubs  #neopopart  #streetart  #artlondon2018  #fiac2017  #artemilano  #artemilanogallerie 
Jean-Michel Othoniel

#art #contemporaryart #contemporarypainting #abstractpainting #kunst #painting #modernart #sculpture #artist 
This was shown in Mexico City in Dec 2017 and in Spring/Summer 2018 at @galerieperrotin NYC, Musée d'art Moderne et contemporain of Saint Etienne and @mbamtl

#othoniel #jeanmichelothoniel #othonielstudio #insidetheartiststudio #fiac2017 #fiac #glass #darkmatters

Repost @othoniel_studio
#Repost @davidzwirner
・・・
David Zwirner is pleased to participate in FIAC (Booth #B36). Artists presented include Carol Bove, Josef Albers, Francis Alÿs, William Eggleston, Suzan Frecon, Isa Genzken, Oscar Murillo, Thomas Ruff, Wolfgang Tillmans, Luc Tuymans, Christopher Williams, and Lisa Yuskavage.

Carol Bove, Will's Dog, 2017. Stainless steel and urethane paint, 72 3/8 x 86 1/2 x 85 3/4 inches (183.7 x 219.7 x 217.8 cm) #FIAC @fiacparis #CarolBove #FIAC2017 #art #contemporary #contemporarydesign #contemporarysculpture #designblog #artblog #artdesign
#Repost  @davidzwirner ・・・ David Zwirner is pleased to participate in FIAC (Booth #B36 ). Artists presented include Carol Bove, Josef Albers, Francis Alÿs, William Eggleston, Suzan Frecon, Isa Genzken, Oscar Murillo, Thomas Ruff, Wolfgang Tillmans, Luc Tuymans, Christopher Williams, and Lisa Yuskavage. Carol Bove, Will's Dog, 2017. Stainless steel and urethane paint, 72 3/8 x 86 1/2 x 85 3/4 inches (183.7 x 219.7 x 217.8 cm) #FIAC  @fiacparis #CarolBove  #FIAC2017  #art  #contemporary  #contemporarydesign  #contemporarysculpture  #designblog  #artblog  #artdesign 
L'année dernière, me photographiant dans un de mes coups de cœur à la FIAC.
Tomas Saraceno à la galerie Esther Schipper de Berlin. Sublime immense installation.
Dans ce qu'il prépare pour le Palais de Tokyo pour octobre 2018, il y aura ces fantastiques assemblages réalisés par des araignées qui tissent leurs toiles dans de grand cubes de verre.

#Fiac2017 #FIAC #FIACGrandPalais #ParisArtFair #Artcontemporain #Artmoderne #ArtFair #YoyoMaeght #Yoyo #HappyArt #TomasSaraceno #EstherSchipper #Berlin
#Saraceno #TomasSaraceno #Argentina #Palaisdetokyo #Tokyoclub #Maeght
L'année dernière, me photographiant dans un de mes coups de cœur à la FIAC. Tomas Saraceno à la galerie Esther Schipper de Berlin. Sublime immense installation. Dans ce qu'il prépare pour le Palais de Tokyo pour octobre 2018, il y aura ces fantastiques assemblages réalisés par des araignées qui tissent leurs toiles dans de grand cubes de verre. #Fiac2017  #FIAC  #FIACGrandPalais  #ParisArtFair  #Artcontemporain  #Artmoderne  #ArtFair  #YoyoMaeght  #Yoyo  #HappyArt  #TomasSaraceno  #EstherSchipper  #Berlin  #Saraceno  #TomasSaraceno  #Argentina  #Palaisdetokyo  #Tokyoclub  #Maeght 
#tfinspo #gideonrubin via @ad_magazine #fiac2017 #art
Delighted to see this Joep Van Lieshout's installation at Centre Pompidou, an artist first exhibited in France by Olivia Putman 20 years ago. #AtelierVanLieshout #JoepVanLieshout #CentrePompidou #Fiac2017 #OliviaPutman #StudioPutman #Currator
#Repost @fiacparis
・・・
Vlassis Caniaris, Child, 1980, Courtesy the estate of the artist and Galerie Peter Kilchmann

#fiac #fiac2017 #vlassiscaniaris #OnSite #petitpalais #peterkilchmann #avenuewinstonchurchill @petitpalais_musee
@galeriepeterkilchmann
In art I’m equally interested for the aesthetic creations as much as for the attitude towards life of the creator. Vlassis Caniaris was a modern artist, politicized but never militized, who acted undisturbed for the past sixty years, from late modernism to the roots of postmodernism encompassing his exclusive morphoplastic material, the body of history and more specifically of modern Greek history, from the civil war of 1944-1949 till the dictatorship of 1967 - 1974 and the restitution of democracy to this day.  His work was monoid but polyommatus, like that of mythical Argus, reconnoitering the sociopolitical scene inside and outside and taking a position on occurrence.  Acting subsequently as great Art acted:  comforting, but also revealing; poignant, but also construing.  The distinctiveness of his aesthetic overture is in the details; overcome that, transforms a random object in morphological value that transfuses the paltry bits of precious, murmuring any personal history, any laugh or sob in the ears of eternity.

From his first informelles configurations in 1956-1957 on newspapers or drippings on canvas, Caniaris did not describe, he put forward and proposed.  At the age of 30, in 1958 he presented his first solo exhibition in Athens (Gallery "Zygos"), which is historically the first solo exhibition of abstract art ever exhibited in Greece.  All his works were dedicated to the departed of an appalling accident that had taken place in the mines of Marcinelle – Belgium.  The contradiction is that this exhibition was ‘hit’ by pure Marxist criticism as subjective and highly formalistic and praised by the "bourgeois" critics.
#Repost  @fiacparis ・・・ Vlassis Caniaris, Child, 1980, Courtesy the estate of the artist and Galerie Peter Kilchmann #fiac  #fiac2017  #vlassiscaniaris  #OnSite  #petitpalais  #peterkilchmann  #avenuewinstonchurchill  @petitpalais_musee @galeriepeterkilchmann In art I’m equally interested for the aesthetic creations as much as for the attitude towards life of the creator. Vlassis Caniaris was a modern artist, politicized but never militized, who acted undisturbed for the past sixty years, from late modernism to the roots of postmodernism encompassing his exclusive morphoplastic material, the body of history and more specifically of modern Greek history, from the civil war of 1944-1949 till the dictatorship of 1967 - 1974 and the restitution of democracy to this day. His work was monoid but polyommatus, like that of mythical Argus, reconnoitering the sociopolitical scene inside and outside and taking a position on occurrence. Acting subsequently as great Art acted: comforting, but also revealing; poignant, but also construing. The distinctiveness of his aesthetic overture is in the details; overcome that, transforms a random object in morphological value that transfuses the paltry bits of precious, murmuring any personal history, any laugh or sob in the ears of eternity. From his first informelles configurations in 1956-1957 on newspapers or drippings on canvas, Caniaris did not describe, he put forward and proposed. At the age of 30, in 1958 he presented his first solo exhibition in Athens (Gallery "Zygos"), which is historically the first solo exhibition of abstract art ever exhibited in Greece. All his works were dedicated to the departed of an appalling accident that had taken place in the mines of Marcinelle – Belgium. The contradiction is that this exhibition was ‘hit’ by pure Marxist criticism as subjective and highly formalistic and praised by the "bourgeois" critics.
FIAC Projects | Koenraad Dedobbeleer, "Consumption is the sole end and purpose of all production", 2014 via ProjecteSD
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Applications for FIAC Projects are open. Galleries, you can apply until June 30th.
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Photo : Marc Domage
#FIAC #fiac2017 #fiacprojects #koenraaddedobbeleer @projectesd
FIAC Projects | Koenraad Dedobbeleer, "Consumption is the sole end and purpose of all production", 2014 via ProjecteSD __ Applications for FIAC Projects are open. Galleries, you can apply until June 30th. __ Photo : Marc Domage #FIAC  #fiac2017  #fiacprojects  #koenraaddedobbeleer  @projectesd
Sell alcuni lavori di Giuseppe Capogrossi acquerello su carta di dimensioni piccole. Chiedo 20.000€. per informazioni scrivere arting159@gmail.com. #arts #artsy #artshow #artwork #miamiart #artbasel #freeze #artlondon #artlondra #fiac2017 #basileaart #investments #investimenti #investitori #investitorismart #investors #publication #artemoderna #collezionistidartemoderna
♡ #artwork by @angelabulloch ‘Heavy Metal Stack of Six Turq Totem’, 2017.
#FIAC2017 #SimonLeeGallery #B19 #AngelaBulloch @fiacparis @le_grand_palais ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ #art #artgallery #contemporaryart #abstract #sculpture #totem
FIAC Projects | Wang Wei, Detail of "Natural History 4 (square)", 2017 via Edouard Malingue 
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Applications for FIAC Projects are open. Galleries, you can apply until June 30th.
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Photo : Marc Domage
#FIAC #fiac2017 #fiacprojects #wangwei @edouardmalingue
FIAC Projects | Wang Wei, Detail of "Natural History 4 (square)", 2017 via Edouard Malingue __ Applications for FIAC Projects are open. Galleries, you can apply until June 30th. __ Photo : Marc Domage #FIAC  #fiac2017  #fiacprojects  #wangwei  @edouardmalingue
FIAC 2017
Cali Thornhill DeWitt
Such a brave artist, isn't it ? 🐶

#fiac2017 #exhibition #contemporaryart #grandpalais #art #artmarket #paris #artfair #calithornhilldewitt #guts #muchrespect
Paris vide... 🙄#fiac2017 
#Paris #france #street #vide #photo #voyage
Des statues et des hommes #fiac2017
Que d’étrangeté à la fiac!! #fiac2017 #grandpalais
FIAC Hors les Murs | George Condo, "Standing Forms", 2016 via Skarstedt
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Retrouvez la notice d’œuvres rédigée par les étudiants de l’Ecole du Louvre sur fiac.com
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Photo : Marc Domage
#FIAC #fiac2017 #horslesmurs #jardindestuileries #museedulouvre #georgecondo @skarstedtgallery
Certains diront que ce n'est rien, moi je dis que c'est un grand début 📜✨
#1èrepublication #louvresquad #FIAC2017 @fiacparis
FIAC Hors les Murs | Pugnaire & Raffini, "Onde", 2017 via Ceysson & Bénétière
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Retrouvez les notices d’œuvres rédigées par les étudiants de l’Ecole du Louvre sur fiac.com
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Photo : Marc Domage
#FIAC #fiac2017 #horslesmurs #jardindestuileries #museedulouvre #pugnaireraffini
FIAC Hors les Murs | Jim Dine, "Thru the stardust, the heat on the lawn (Claude)", 2017 via Templon
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Retrouvez les notices d’œuvres rédigées par les étudiants de l’Ecole du Louvre sur fiac.com
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Photo : Marc Domage
#FIAC #fiac2017 #horslesmurs #jardindestuileries #jimdine
FIAC Hors les Murs | Jim Dine, "Thru the stardust, the heat on the lawn (Claude)", 2017 via Templon __ Retrouvez les notices d’œuvres rédigées par les étudiants de l’Ecole du Louvre sur fiac.com __ Photo : Marc Domage #FIAC  #fiac2017  #horslesmurs  #jardindestuileries  #jimdine 
am-Gallery  graffitis en directo  ante la mirada de el público ... realizado en paredes directamente, como si de un fresco se tratara . #graffitis  #arquitecturaalmeria #aastreetart #grafitti #grafiteros #grafitte #arteurbano #arteenlacalle #fiac2017 #artbasel #arco #arteurbano #artecontemporaneo
Art is in every corner🗿 Room 206 | ‘Comin' Thru’ (Late Night at the Continental) | 2015. An art piece by Loup Sarion (1987). Curated by @jeromepauchant #LesBainsParis #HotelLesBains #ResidencedArtistes #ArtistsResidency #Fiacparis2017 #Art #ContemporaryArt #ContemporaryArtist #CuratedBy #JeromePauchant #Fiac2017