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unlikely heroes
.
.
trägst drei dicke panzer die dir helfen durch den tag
die dir sagen wo du lang gehn musst wenn mal einer fragt
die dir sagen endlich ein wochenende lang mal keine ubahn fahren
ey das ist bei anderen alles ganz normal
bei den ganzen goldenen dächern und den goldenen leuten
kein sinn mehr die noch länger zu leugnen
neu-schöneberg immobilen entwicklungsprojekte deine mutter 
schaust dich um und kommst darauf nicht klar
kapuzenpulli auf, geh raus 
geh jetzt runter
halt dich fest mann wir gehn nicht unter
gehn nicht raus aus der stadt, egal wer das meint
weil wir wissen wo im kleistpark am längsten die sonne scheint
und du hattest noch gesagt wir sehen uns im september 
und dann wirst du endlich sprüher
aber ich weiß du haust doch nur wieder ab
genau so wie früher
.
.
@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #paulhutchinson #takeover
unlikely heroes . . trägst drei dicke panzer die dir helfen durch den tag die dir sagen wo du lang gehn musst wenn mal einer fragt die dir sagen endlich ein wochenende lang mal keine ubahn fahren ey das ist bei anderen alles ganz normal bei den ganzen goldenen dächern und den goldenen leuten kein sinn mehr die noch länger zu leugnen neu-schöneberg immobilen entwicklungsprojekte deine mutter schaust dich um und kommst darauf nicht klar kapuzenpulli auf, geh raus geh jetzt runter halt dich fest mann wir gehn nicht unter gehn nicht raus aus der stadt, egal wer das meint weil wir wissen wo im kleistpark am längsten die sonne scheint und du hattest noch gesagt wir sehen uns im september und dann wirst du endlich sprüher aber ich weiß du haust doch nur wieder ab genau so wie früher . . @p.hutchinson #picturesandwords  #distanzverlag  #distanzpublishing  #paulhutchinson  #takeover 
Repost @distanzverlag ・・・
Neo-soul in your soul
and two tiny giants on the road

@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #paulhutchinson #takeover
Neo-soul in your soul
and two tiny giants on the road

@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #paulhutchinson #takeover
Repost @distanzverlag
・・・
A brief view of my book with Distanz

Pictures and Words 
228 pages
143 colour images
29 texts 
Released May 2018
Available both as an English and German edition

@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #paulhutchinson #takeover
Right now on view in Hamburg 
until 23 Sep 2018

group show THE ART HOUSE organized and curated by 
@office_impart and @andreavongoetz 
pictured here also parts of the installations by 
@polasieverding @felixkiessling 👋🏻 @p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #paulhutchinson #takeover
Two-fold dreams 
fit into a one-fold pocket 
if you lock it
if you leave it
if you smell and
if you breathe it 
they might reveal it
feel it 
hurt it
after all it might be worth it
don’t you let those people curse it
about time to claim what your turf is 
so put on that plastic jacket, the hair bands and the secret black gaze from the back of your mind 
no time to hide 
@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing  #paulhutchinson #takeover
Two-fold dreams fit into a one-fold pocket if you lock it if you leave it if you smell and if you breathe it they might reveal it feel it hurt it after all it might be worth it don’t you let those people curse it about time to claim what your turf is so put on that plastic jacket, the hair bands and the secret black gaze from the back of your mind no time to hide @p.hutchinson #picturesandwords  #distanzverlag  #distanzpublishing  #paulhutchinson  #takeover 
The empty noise outside the shadow
feels a little shallow 
@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing  #paulhutchinson #takeover
Repost @distanzverlag ・・・
Hello Hello

My name is Paul Hutchinson, I make pictures and I write words, and I was asked to take over the Distanz Instagram account for some days.

Here we go.

See here a place near home, been there much but have gone now, am done now, the lights have gone out.

Seven satellite dishes that look like wishes, look like a safe place to be in, something to believe in, but don’t be tricked mate, forget the glitter on the rubble, they may not be what you’re seeing.

@paulhutchinson #picturesandwords #distanzverlag #distanzpublishing
Repost @distanzverlag ・・・ Hello Hello My name is Paul Hutchinson, I make pictures and I write words, and I was asked to take over the Distanz Instagram account for some days. Here we go. See here a place near home, been there much but have gone now, am done now, the lights have gone out. Seven satellite dishes that look like wishes, look like a safe place to be in, something to believe in, but don’t be tricked mate, forget the glitter on the rubble, they may not be what you’re seeing. @paulhutchinson #picturesandwords  #distanzverlag  #distanzpublishing 
Hello Hello

My name is Paul Hutchinson, I make pictures and I write words, and I was asked to take over the Distanz Instagram account for some days.

Here we go.

See here a place near home, been there much but have gone now, am done now, the lights have gone out.

Seven satellite dishes that look like wishes, look like a safe place to be in, something to believe in, but don’t be tricked mate, forget the glitter on the rubble, they may not be what you’re seeing.

@p.hutchinson #picturesandwords #distanzverlag #distanzpublishing #takeover
Hello Hello My name is Paul Hutchinson, I make pictures and I write words, and I was asked to take over the Distanz Instagram account for some days. Here we go. See here a place near home, been there much but have gone now, am done now, the lights have gone out. Seven satellite dishes that look like wishes, look like a safe place to be in, something to believe in, but don’t be tricked mate, forget the glitter on the rubble, they may not be what you’re seeing. @p.hutchinson #picturesandwords  #distanzverlag  #distanzpublishing  #takeover 
Our recommendation for this weekend: @artbiesenthal til 29th of September! Here are several books of the participating artists! Enjoy! 
#olafholzapfel #markuskeibel #julianrosefeldt #michaelsailstorfer #distanzverlag #distanzpublishing  #contemporaryart #contemporarypainting #contemporarysculpture #art #booklovers
Enjoy our sought-after edition of artist #MichaelRiedel! Further images of pattern sheets on request and on our website! 
Michael Riedel / Muster des Kunstsystems / 2017 / 10 + 2 AP /45,2 x 66 cm / paper offset / Signed, with nineteen unfolded pattern sheets in a folder 
@gabrielesenngalerie @galerie_michelrein #artistedition #contemporaryart #distanzverlag #distanzpublishing
Enjoy our sought-after edition of artist #MichaelRiedel ! Further images of pattern sheets on request and on our website! Michael Riedel / Muster des Kunstsystems / 2017 / 10 + 2 AP /45,2 x 66 cm / paper offset / Signed, with nineteen unfolded pattern sheets in a folder @gabrielesenngalerie @galerie_michelrein #artistedition  #contemporaryart  #distanzverlag  #distanzpublishing 
Here is the latest #book of #HeinzGuenterPrager! It’s published on occasion of his #exhibition at @lvrlandesmuseum! 
Heinz-Günter Prager (b. 1944 in Herne; lives and works in Cologne and Plomeur, France) is one of the most important #sculptors of his generation. In his #sculptures, he inquires into basic issues of space, with his central themes being line, the #body, #weight, and #location. Prager’s works are always accompanied by theoretical considerations; he leaves almost nothing up to chance. Along with his sculptural oeuvre, the #artist has also created an equally fascinating body of #drawing work. Eugen Gomringer described it thus: “there is something lonely about this self-contained #graphic work … it is the result of a strong, independent, and unconventional personality …” The book comprises 120 drawings made between 1966 and 2018. The spectrum extends from sculptural considerations to highly refined articulations in various techniques such as pencil, ink, gouache, oil paint, wax crayon, and collage.

Heinz-Günter Prager / Drawings
@galerieostendorff @griffelkunst #contemporarysculpture #contemporarydrawing #contemporaryart #arthistory #booklover #distanzverlag #distanzpublishing
Here is the latest #book  of #HeinzGuenterPrager ! It’s published on occasion of his #exhibition  at @lvrlandesmuseum! Heinz-Günter Prager (b. 1944 in Herne; lives and works in Cologne and Plomeur, France) is one of the most important #sculptors  of his generation. In his #sculptures , he inquires into basic issues of space, with his central themes being line, the #body , #weight , and #location . Prager’s works are always accompanied by theoretical considerations; he leaves almost nothing up to chance. Along with his sculptural oeuvre, the #artist  has also created an equally fascinating body of #drawing  work. Eugen Gomringer described it thus: “there is something lonely about this self-contained #graphic  work … it is the result of a strong, independent, and unconventional personality …” The book comprises 120 drawings made between 1966 and 2018. The spectrum extends from sculptural considerations to highly refined articulations in various techniques such as pencil, ink, gouache, oil paint, wax crayon, and collage. Heinz-Günter Prager / Drawings @galerieostendorff @griffelkunst #contemporarysculpture  #contemporarydrawing  #contemporaryart  #arthistory  #booklover  #distanzverlag  #distanzpublishing 
Enjoy our new #publication of #StefanBerg!

The #Bauhaus will celebrate its centenary in 2019. It was founded in #Weimar in 1919 and moved to #Dessau in 1925 and then to #Berlin in 1932, where it was shut down by the Nazis in 1933. Designed by #WalterGropius, the Bauhaus building in Dessau was designated as a #UNESCO World Heritage Site in 1996 and now houses the Bauhaus Dessau Foundation. The art school and its teachers exerted such wide-ranging influence that the term “Bauhaus” is often used as virtually synonymous with #modernism in #architecture and #design.

When Stefan Berg (b. Bielefeld, 1971; lives and works in Berlin) taught photography at the Anhalt University of Applied Sciences in Dessau, he seized the opportunity to take photographs of the building’s façades and #interiors. The principal interest guiding his lens was to render the structure’s graphical and design qualities so as to convey a vivid experience of the Bauhaus idea. Berg’s pictures illustrate how the asymmetrical outward aspect of the cubic volumes gives way to symmetry inside the building and how light filtering in melds #exterior and interior spaces. Evoking a sense of the building’s #atmospheres, they leave a powerful aesthetic #impression.

With essays by Wiebke Loeper and Harald Theiss.

Stefan Berg / bauhaus - seen by Stefan Berg
@bergwerke @bauhaus_foundation_dessau @wiebkeloeper #haraldtheiss @bauhausarchiv_berlin @bauhaus_uni @unescoworldheritage #contemporaryphotography #documentaryphotography #art #newbook #booklover #marcelbreuer #lecobusier #mariannebrandt #hannesmeyer #ludwigmiesvanderrohe #maxkrajewsky #martinkelm #distanzverlag #distanzpublishing
Enjoy our new #publication  of #StefanBerg ! The #Bauhaus  will celebrate its centenary in 2019. It was founded in #Weimar  in 1919 and moved to #Dessau  in 1925 and then to #Berlin  in 1932, where it was shut down by the Nazis in 1933. Designed by #WalterGropius , the Bauhaus building in Dessau was designated as a #UNESCO  World Heritage Site in 1996 and now houses the Bauhaus Dessau Foundation. The art school and its teachers exerted such wide-ranging influence that the term “Bauhaus” is often used as virtually synonymous with #modernism  in #architecture  and #design . When Stefan Berg (b. Bielefeld, 1971; lives and works in Berlin) taught photography at the Anhalt University of Applied Sciences in Dessau, he seized the opportunity to take photographs of the building’s façades and #interiors . The principal interest guiding his lens was to render the structure’s graphical and design qualities so as to convey a vivid experience of the Bauhaus idea. Berg’s pictures illustrate how the asymmetrical outward aspect of the cubic volumes gives way to symmetry inside the building and how light filtering in melds #exterior  and interior spaces. Evoking a sense of the building’s #atmospheres , they leave a powerful aesthetic #impression . With essays by Wiebke Loeper and Harald Theiss. Stefan Berg / bauhaus - seen by Stefan Berg @bergwerke @bauhaus_foundation_dessau @wiebkeloeper #haraldtheiss  @bauhausarchiv_berlin @bauhaus_uni @unescoworldheritage #contemporaryphotography  #documentaryphotography  #art  #newbook  #booklover  #marcelbreuer  #lecobusier  #mariannebrandt  #hannesmeyer  #ludwigmiesvanderrohe  #maxkrajewsky  #martinkelm  #distanzverlag  #distanzpublishing 
We had a wonderful visit of #CarolinScharpffStriebich in our office and we are looking forward to publish her amazing #book soon! Stay tuned! 
Time and again, lay people interested in #art and professionals alike stand dumbfounded before abstract paintings. Following the invention of #photography in the late 19th century, #painting gradually liberated itself from a representational depiction of its surroundings and developed its own world of pure form and color. Non-objective works often have something hermetic and mysterious about them; they resist easy #interpretation. This book attempts to open up the impenetrable veneer of abstract painting and bring it closer to the viewer. To this purpose, editor Carolin Scharpff-Striebich - collector and director of the Scharpff Collection - conducts trenchant discussions with sixteen leading figures in the international art establishment, each of whom selected an abstract painting to comment upon. These #interviews, respectively based on a single work, enable the reader to experience the artistic idea expressed in the piece. It’s not a matter of quick answers here, but rather about offering access.

dialog partners
Marion Ackermann, Richard Armstrong, Kirsty Bell, Caroline Bourgeois, Julia Friedrich, Walter Grasskamp, Hans-Jürgen Hafner, Pamela Joyner, Philipp Kaiser, Christiane Lange, Christian Malycha, Frances Morris, Hans-Joachim Müller, Mary Rozell, Wolfgang Ullrich, Hélène Vandenberghe

Carolin Scharpff-Striebich / Let’s talk abstract
#Distanzverlag #distanzpublishing #contemporaryart #contemporarypainting
We had a wonderful visit of #CarolinScharpffStriebich  in our office and we are looking forward to publish her amazing #book  soon! Stay tuned! Time and again, lay people interested in #art  and professionals alike stand dumbfounded before abstract paintings. Following the invention of #photography  in the late 19th century, #painting  gradually liberated itself from a representational depiction of its surroundings and developed its own world of pure form and color. Non-objective works often have something hermetic and mysterious about them; they resist easy #interpretation . This book attempts to open up the impenetrable veneer of abstract painting and bring it closer to the viewer. To this purpose, editor Carolin Scharpff-Striebich - collector and director of the Scharpff Collection - conducts trenchant discussions with sixteen leading figures in the international art establishment, each of whom selected an abstract painting to comment upon. These #interviews , respectively based on a single work, enable the reader to experience the artistic idea expressed in the piece. It’s not a matter of quick answers here, but rather about offering access. dialog partners Marion Ackermann, Richard Armstrong, Kirsty Bell, Caroline Bourgeois, Julia Friedrich, Walter Grasskamp, Hans-Jürgen Hafner, Pamela Joyner, Philipp Kaiser, Christiane Lange, Christian Malycha, Frances Morris, Hans-Joachim Müller, Mary Rozell, Wolfgang Ullrich, Hélène Vandenberghe Carolin Scharpff-Striebich / Let’s talk abstract #Distanzverlag  #distanzpublishing  #contemporaryart  #contemporarypainting 
Prototyping 
Edt.-Model: Sarah/Yotam
Unisex, 100% wool, 1/10, high neck

#thekidswantcommunism by FriedrichDippmann

#thekidswantcommunism @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898  @tuchemnitz #studioivonnedippmann #fashion #strick  #limitededition #textiledesign #patternmaking #karlmarx #karlmarxstadt #chemnitz #telaviv #tuchemnitz #thanksfortheride #colours #artwork #textiles #lltlvc #liebesliedtlvc  #artbook #distanzverlag
Prototyping 
Edt.-Model: Timothy/Michelle
Unisex, 100% wool, 1/10, high neck

#thekidswantcommunism by FriedrichDippmann

#thekidswantcommunism @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898  @tuchemnitz #studioivonnedippmann #fashion #strick  #limitededition #textiledesign #patternmaking #karlmarx #karlmarxstadt #chemnitz #telaviv #tuchemnitz #thanksfortheride #colours #artwork #textiles #lltlvc #liebesliedtlvc  #artbook #distanzverlag
😂💐... a little late, but finally I met #thomasfischergalerie today, who had kept the #artforum March issue for me since then. It features a review by #michelefaguet on my show #whatdoyouwanthere @berlinischegalerie. So today I saw the printed version for the first time and I want to thank Michele Faguet for her precise, clever and sensitive critique 🙏👏🏼🙏🏽💥💐💥#berlinischegalerie #artforummagazine #artforuminternational #artforum #review #critique #art #exhibition #analogphotography #studioviolet #distanzverlag
😂💐... a little late, but finally I met #thomasfischergalerie  today, who had kept the #artforum  March issue for me since then. It features a review by #michelefaguet  on my show #whatdoyouwanthere  @berlinischegalerie. So today I saw the printed version for the first time and I want to thank Michele Faguet for her precise, clever and sensitive critique 🙏👏🏼🙏🏽💥💐💥#berlinischegalerie  #artforummagazine  #artforuminternational  #artforum  #review  #critique  #art  #exhibition  #analogphotography  #studioviolet  #distanzverlag 
Here is our wonderful #publication of #artist #MichaelMajerus! It is published on occasion of the exhibitions at @matthewmarksgallery and #neugerriemschneider in 2017!
The Luxembourgish painter Michel Majerus (1967–2002) was one of the first artists who conceived his works in #AdobePhotoshop. He used the #software to sample #figures and #typography from #videogames and #advertising #graphics. He also borrowed from more recent #arthistory, and especially from the oeuvre of the master of #PopArt, #AndyWarhol. Starting in 1996, Majerus made works for which he used off-the-shelf #aluminum panels as support media, combining them in relief-like wall #pictures and #installations. He also shifted from the manual application of paint on the canvas to #silkscreen #printing, a change of technique that irreversibly altered the trajectory of his creative development. 
This book offers the first comprehensive #documentation of the ensemble, complemented by conversations of the author #JanTumlir with the artists #JorgePardo, #LauraOwens, and #JordanWolfson about Majerus’s art.

Michael Majerus / On Aluminium
#contemporaryart #contemporarypainting #distanzverlag #distanzpublishing @christopherwool @jordanmatthewwolfson #thomasdemand 
@louisianamuseum @kunstmuseum_bonn @fondationlv @kunsthallema
Here is our wonderful #publication  of #artist  #MichaelMajerus ! It is published on occasion of the exhibitions at @matthewmarksgallery and #neugerriemschneider  in 2017! The Luxembourgish painter Michel Majerus (1967–2002) was one of the first artists who conceived his works in #AdobePhotoshop . He used the #software  to sample #figures  and #typography  from #videogames  and #advertising  #graphics . He also borrowed from more recent #arthistory , and especially from the oeuvre of the master of #PopArt , #AndyWarhol . Starting in 1996, Majerus made works for which he used off-the-shelf #aluminum  panels as support media, combining them in relief-like wall #pictures  and #installations . He also shifted from the manual application of paint on the canvas to #silkscreen  #printing , a change of technique that irreversibly altered the trajectory of his creative development. This book offers the first comprehensive #documentation  of the ensemble, complemented by conversations of the author #JanTumlir  with the artists #JorgePardo , #LauraOwens , and #JordanWolfson  about Majerus’s art. Michael Majerus / On Aluminium #contemporaryart  #contemporarypainting  #distanzverlag  #distanzpublishing  @christopherwool @jordanmatthewwolfson #thomasdemand  @louisianamuseum @kunstmuseum_bonn @fondationlv @kunsthallema
🙏🏽💥🙏🏽... please check out the new issue of #textezurkunst and the review "Grenzen der Utopie" by #christinairrgang. I am very grateful for her super fine and deep review of the exhibition #whatdoyouwanthere @berlinischegalerie. The show was initialized by @koehler_tom03 and curated by @guidofassbender. Working with them was an amazing experience! As well as the great collaboration with @studiovioletproducingartworks @state__________ @joesiemer @distanzverlag and many more 🙏🏻👏🏻😘💐#berlinischegalerie #exhibition #review #art #ontheroad #usa #analogphotography #studioviolet #distanzverlag #artbook
🙏🏽💥🙏🏽... please check out the new issue of #textezurkunst  and the review "Grenzen der Utopie" by #christinairrgang . I am very grateful for her super fine and deep review of the exhibition #whatdoyouwanthere  @berlinischegalerie. The show was initialized by @koehler_tom03 and curated by @guidofassbender. Working with them was an amazing experience! As well as the great collaboration with @studiovioletproducingartworks @state__________ @joesiemer @distanzverlag and many more 🙏🏻👏🏻😘💐#berlinischegalerie  #exhibition  #review  #art  #ontheroad  #usa  #analogphotography  #studioviolet  #distanzverlag  #artbook 
Please have an eye on our wonderful editions of artist #CyrillLachauer! Check it out on our website! 
Cyrill Lachauer /  1954 Miles – From Border Field State Park to Boca Chica, 2018 / 50 x 38 cm / Hand-made gelatin silver print, silkscreen / signed and numbered 
@cyrilllachauer @berlinischegalerie #artistedition #contemporaryphotography #contemporaryart #distanzverlag #distanzpublishing
Prototyping 
Edt.-Model: Sarah/Yotam
Unisex, 100% wool, 1/10, high neck

#thekidswantcommunism by FriedrichDippmann

#thekidswantcommunism @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898  @tuchemnitz #studioivonnedippmann #fashion #strick  #limitededition #textiledesign #patternmaking #karlmarx #karlmarxstadt #chemnitz #telaviv #tuchemnitz #wool #musthave #thanksfortheride #colours #artwork #textiles #lltlvc #liebesliedtlvc  #artbook #fairtrade #localproduct #distanzverlag #collaboration #sweater #highneck #knitweardesigner #winter #textileart @sarahreif @yotammahler
Prototyping Edt.-Model: Sarah/Yotam Unisex, 100% wool, 1/10, high neck #thekidswantcommunism  by FriedrichDippmann #thekidswantcommunism  @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898 @tuchemnitz #studioivonnedippmann  #fashion  #strick  #limitededition  #textiledesign  #patternmaking  #karlmarx  #karlmarxstadt  #chemnitz  #telaviv  #tuchemnitz  #wool  #musthave  #thanksfortheride  #colours  #artwork  #textiles  #lltlvc  #liebesliedtlvc  #artbook  #fairtrade  #localproduct  #distanzverlag  #collaboration  #sweater  #highneck  #knitweardesigner  #winter  #textileart  @sarahreif @yotammahler
Enjoy this fabulous book of #CyrillLachauer created in conjunction with his last big show @berlinischegalerie! 
Cyrill Lachauer (b. Rosenheim, 1979; lives and works in Berlin and Los Angeles) is a connoisseur of traces; he studied #anthropology and #film before deciding to devote all his energies to visual #art. His works are the results of extended trips that have led him from America’s flyover country—a part of the world that has recently received a great deal of media attention—to his own roots in Upper #Bavaria and #Berlin. He explores regions and places, probing the transformation of signifiers and artifacts and the ways in which tradition and heritage inform our cultural #imagination. His #photographs, #films, and #writings #spotlightblanks, #quotations, and ostensibly insignificant details, reading them as #traces of histories that lie buried in the #landscapes and continue to shape them. The exhibition and book What Do You Want Here premiere a cycle of works the artist created as he traveled the #UnitedStates over the past two years. The film Dodging Raindrops—A Separate #Reality is the ensemble’s centerpiece. It opens in #LosAngeles and retraces the purported research expeditions of the controversial #ethnologist #CarlosCastaneda, who became one of the founding fathers of the #NewAge movement. Observations along the #Mississippi blend with fictional situations and historical references for a polyphonic narrative that proffers an enlarged experience of the landscapes the journey passes through.

Cyrill Lachauer / What Do You Want Here
@cyrilllachauer @sammlunggoetz #contemporaryphotography #distanzverlag #distanzpublishing
Enjoy this fabulous book of #CyrillLachauer  created in conjunction with his last big show @berlinischegalerie! Cyrill Lachauer (b. Rosenheim, 1979; lives and works in Berlin and Los Angeles) is a connoisseur of traces; he studied #anthropology  and #film  before deciding to devote all his energies to visual #art . His works are the results of extended trips that have led him from America’s flyover country—a part of the world that has recently received a great deal of media attention—to his own roots in Upper #Bavaria  and #Berlin . He explores regions and places, probing the transformation of signifiers and artifacts and the ways in which tradition and heritage inform our cultural #imagination . His #photographs , #films , and #writings  #spotlightblanks , #quotations , and ostensibly insignificant details, reading them as #traces  of histories that lie buried in the #landscapes  and continue to shape them. The exhibition and book What Do You Want Here premiere a cycle of works the artist created as he traveled the #UnitedStates  over the past two years. The film Dodging Raindrops—A Separate #Reality  is the ensemble’s centerpiece. It opens in #LosAngeles  and retraces the purported research expeditions of the controversial #ethnologist  #CarlosCastaneda , who became one of the founding fathers of the #NewAge  movement. Observations along the #Mississippi  blend with fictional situations and historical references for a polyphonic narrative that proffers an enlarged experience of the landscapes the journey passes through. Cyrill Lachauer / What Do You Want Here @cyrilllachauer @sammlunggoetz #contemporaryphotography  #distanzverlag  #distanzpublishing 
Have a look on our #publication with artist #CarstenNicolai! tele is published on occasion of the presentation of his sprawling light-and-object installation of the same title @berlinischegalerie!

Carsten Nicolai (b. Karl-Marx-Stadt, East Germany, now Chemnitz, 1965; lives and works in Berlin) has long studied processes of perception and created #art that lets the viewer #experience the mechanisms underlying visual as well as acoustic sensory #impressions. Of particular interest for his work is the question of the possibilities of subjective or objective cognition. He scrutinizes exemplary immaterial phenomena that lead him to the fundamental questions of human #consciousness. Which part of what we perceive actually exists outside of that perception, and which part is constructed on the neuronal level of our brains? A self-taught artist, Nicolai originally studied #landscapearchitecture. He launched his career in visual art with #paintings before turning to #installation art and object-based practices starting in the mid-1990s. He is also active as a musician under the pseudonym #AlvaNoto.

Carsten Nicolai’s works chart the terrain between visual art and #electronicsound. With essays by Anne Bitterwolf and Siegfried Zielinski and a preface by Thomas Köhler.

Carsten Nicolai / Tele 
@alvanoto @galerie_eigenart #sollingergmbh @koehler_tom03 #contemporaryart #contemporarysculpture #distanzverlag #distanzpublishing #booklove 
The show is on til 3rd of september @berlinischegalerie!
Have a look on our #publication  with artist #CarstenNicolai ! tele is published on occasion of the presentation of his sprawling light-and-object installation of the same title @berlinischegalerie! Carsten Nicolai (b. Karl-Marx-Stadt, East Germany, now Chemnitz, 1965; lives and works in Berlin) has long studied processes of perception and created #art  that lets the viewer #experience  the mechanisms underlying visual as well as acoustic sensory #impressions . Of particular interest for his work is the question of the possibilities of subjective or objective cognition. He scrutinizes exemplary immaterial phenomena that lead him to the fundamental questions of human #consciousness . Which part of what we perceive actually exists outside of that perception, and which part is constructed on the neuronal level of our brains? A self-taught artist, Nicolai originally studied #landscapearchitecture . He launched his career in visual art with #paintings  before turning to #installation  art and object-based practices starting in the mid-1990s. He is also active as a musician under the pseudonym #AlvaNoto . Carsten Nicolai’s works chart the terrain between visual art and #electronicsound . With essays by Anne Bitterwolf and Siegfried Zielinski and a preface by Thomas Köhler. Carsten Nicolai / Tele @alvanoto @galerie_eigenart #sollingergmbh  @koehler_tom03 #contemporaryart  #contemporarysculpture  #distanzverlag  #distanzpublishing  #booklove  The show is on til 3rd of september @berlinischegalerie!
Let’s celebrate the new #publication of artist #TamaraKE!
Tamara K.E. (b. Tbilisi, Georgia; lives and works in Düsseldorf and New York) makes art that aims to create a world of pure subjectivity. Her works acknowledge the grand narratives and integrates experimental constructions of form, but only as elements in an infinite space of blithe play. Where the world appears as a sweeping kaleidoscopic flow, the quest for authenticity loses all #meaning. Her  obsessive language, in continual transition, addresses the dynamics of our cultural memories, floating over the art-historical baggage. Sifting through the incessant flood of media imagery, Tamara K.E. extracts selected pictures and motifs and translates them into works that suggest an exacting eye for consummate painterly quality and evince a distinctive and thoroughly contemporary visual #idiom. #BorisGroys wrote about her art: “Tamara K.E. resists the temptation of a surrogate bureaucratic definition of art, and it is due to the unsharpness and unidentifiability of her selection system that she gets the chance to direct our attention away from media pictures towards her own personality.” This comprehensive #monograph presents a survey of Tamara K.E.’s #paintings, #drawings, and works involving new consumer technologies created between 2010 and 2017.

Tamara K.E. / Fading Song in the wide open 
@t_k_e_ @gia.edz @vonderheydtmuseumwuppertal @johannesvogtnyc #contemporarypainting #contemporaryart #distanzverlag #distanzpublishing
Let’s celebrate the new #publication  of artist #TamaraKE ! Tamara K.E. (b. Tbilisi, Georgia; lives and works in Düsseldorf and New York) makes art that aims to create a world of pure subjectivity. Her works acknowledge the grand narratives and integrates experimental constructions of form, but only as elements in an infinite space of blithe play. Where the world appears as a sweeping kaleidoscopic flow, the quest for authenticity loses all #meaning . Her obsessive language, in continual transition, addresses the dynamics of our cultural memories, floating over the art-historical baggage. Sifting through the incessant flood of media imagery, Tamara K.E. extracts selected pictures and motifs and translates them into works that suggest an exacting eye for consummate painterly quality and evince a distinctive and thoroughly contemporary visual #idiom . #BorisGroys  wrote about her art: “Tamara K.E. resists the temptation of a surrogate bureaucratic definition of art, and it is due to the unsharpness and unidentifiability of her selection system that she gets the chance to direct our attention away from media pictures towards her own personality.” This comprehensive #monograph  presents a survey of Tamara K.E.’s #paintings , #drawings , and works involving new consumer technologies created between 2010 and 2017. Tamara K.E. / Fading Song in the wide open @t_k_e_ @gia.edz @vonderheydtmuseumwuppertal @johannesvogtnyc #contemporarypainting  #contemporaryart  #distanzverlag  #distanzpublishing 
We published this marvelous #book in conjunction with the exhibition of #PatrickAngus @kunstmuseumstuttgart! Enjoy his stirring paintings! 
Patrick Angus (b. North Hollywood, 1953; d. New York, 1992) was the paintbrush-wielding chronicler of #gaylife in 1980s #Manhattan. At a time when abstract and minimalist art reigned supreme, he chose to focus on figurative representational #art. He painted and drew #portraits, #cityscapes, #landscapes, and, #time and again, scenes from the #homosexual underground milieu with its strip shows, bars, and bathhouses. Yet rather than trying to make a #politicalstatement, Angus sought to articulate basic human needs, yearnings, and anxieties. His pictures are metaphors of the quest for his own identity and journey of sexual self-discovery. With their deft use of light and expressive palette, his compositions capture the unbridled hedonism of his subjects as well as the distinctive atmosphere of the settings in which they appear. His artistic role model was the California-based British painter #DavidHockney, who took notice of Angus’s work in 1992 and purchased six of his #paintings shortly before the artist’s death. Long admired by insiders, the #oeuvre of Patrick Angus, who died of #HIV related disease at the age of 38, has remained largely unknown in the larger art scene.

Patrick Angus / Private Show 
@galeriefuchs @yossimilo @museumbensheim @loom_gallery @leslielohmanmuseum @ngbk_berlin @schwulesmuseum #distanzverlag #distanzpublishing
We published this marvelous #book  in conjunction with the exhibition of #PatrickAngus  @kunstmuseumstuttgart! Enjoy his stirring paintings! Patrick Angus (b. North Hollywood, 1953; d. New York, 1992) was the paintbrush-wielding chronicler of #gaylife  in 1980s #Manhattan . At a time when abstract and minimalist art reigned supreme, he chose to focus on figurative representational #art . He painted and drew #portraits , #cityscapes , #landscapes , and, #time  and again, scenes from the #homosexual  underground milieu with its strip shows, bars, and bathhouses. Yet rather than trying to make a #politicalstatement , Angus sought to articulate basic human needs, yearnings, and anxieties. His pictures are metaphors of the quest for his own identity and journey of sexual self-discovery. With their deft use of light and expressive palette, his compositions capture the unbridled hedonism of his subjects as well as the distinctive atmosphere of the settings in which they appear. His artistic role model was the California-based British painter #DavidHockney , who took notice of Angus’s work in 1992 and purchased six of his #paintings  shortly before the artist’s death. Long admired by insiders, the #oeuvre  of Patrick Angus, who died of #HIV  related disease at the age of 38, has remained largely unknown in the larger art scene. Patrick Angus / Private Show @galeriefuchs @yossimilo @museumbensheim @loom_gallery @leslielohmanmuseum @ngbk_berlin @schwulesmuseum #distanzverlag  #distanzpublishing 
Prototyping 
Edt.-Model: Stacy/Yaniv
Unisex, 100% wool, 1/10, high neck

#thekidswantcommunism by FriedrichDippmann

#thekidswantcommunism @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898  @tuchemnitz #studioivonnedippmann #fashion #strick  #limitededition #textiledesign #patternmaking #karlmarx #karlmarxstadt #chemnitz #telaviv #tuchemnitz #thanksfortheride #colours #artwork #textiles #lltlvc #liebesliedtlvc  #artbook #distanzverlag
Limited sweatershirt edition of 80 pieces, produced in collaboration with Maximo-Strickmoden and the Professorship of Textile Technologies TU Chemnitz

100% wool, Unisex
FriedrichDippmann, work in progress 2018

#thekidswantcommunism @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898  @tuchemnitz #studioivonnedippmann #fashion #strick  #limitededition #textiledesign #patternmaking #karlmarx #karlmarxstadt #chemnitz #telaviv #tuchemnitz #thanksfortheride #colours #artwork #textiles #lltlvc #liebesliedtlvc  #artbook #distanzverlag @yaeltabithaparker @benjaminmecz 
photography by @photosbywinton
Limited sweatershirt edition of 80 pieces, produced in collaboration with Maximo-Strickmoden and the Professorship of Textile Technologies TU Chemnitz 100% wool, Unisex FriedrichDippmann, work in progress 2018 #thekidswantcommunism  @friedrichdippmann @ivonnedippmann @agnesfriedrich @maximo.1898 @tuchemnitz #studioivonnedippmann  #fashion  #strick  #limitededition  #textiledesign  #patternmaking  #karlmarx  #karlmarxstadt  #chemnitz  #telaviv  #tuchemnitz  #thanksfortheride  #colours  #artwork  #textiles  #lltlvc  #liebesliedtlvc  #artbook  #distanzverlag  @yaeltabithaparker @benjaminmecz photography by @photosbywinton
Enjoy this amazing #newbook of #RagnaRóbertsdóttir! 
Ragna Róbertsdóttir (b. Reykjavík, Iceland, 1945; lives and works in Reykjavík and Berlin) rose to renown with minimalist wall and floor pieces she makes out of #lava pumice, broken #glass, #seashells, and chips of #neon plastic. Glued to a bare wall or laid on the floor, her works create seamless transitions between a harsh #nature and #urbanarchitecture. The #sculptures she makes out of #materials such as volcanic rock, and the crystalline salty residue of evaporated #seawater and installs in #interior and exterior settings pay homage to the rugged and ever-changing #landscapes of #Iceland. Her art combines the uncompromising austerity of American #LandArt and the materials of the Italian #ArtePovera for a distinctive aesthetic statement that has made Róbertsdóttir a star in her home country. Her work has also been shown in solo exhibitions in Europe, the United States, China, and Australia. 
Ragna Róbertsdóttir / works 1974-2017
@i8gallery @studiostudiostudiostudio @nylistasafnid @icelandicartcenter #contemporaryart #contemporarysculpture #sculpture #iceland #distanzverlag #distanzpublishing
Enjoy this amazing #newbook  of #RagnaRóbertsdóttir ! Ragna Róbertsdóttir (b. Reykjavík, Iceland, 1945; lives and works in Reykjavík and Berlin) rose to renown with minimalist wall and floor pieces she makes out of #lava  pumice, broken #glass , #seashells , and chips of #neon  plastic. Glued to a bare wall or laid on the floor, her works create seamless transitions between a harsh #nature  and #urbanarchitecture . The #sculptures  she makes out of #materials  such as volcanic rock, and the crystalline salty residue of evaporated #seawater  and installs in #interior  and exterior settings pay homage to the rugged and ever-changing #landscapes  of #Iceland . Her art combines the uncompromising austerity of American #LandArt  and the materials of the Italian #ArtePovera  for a distinctive aesthetic statement that has made Róbertsdóttir a star in her home country. Her work has also been shown in solo exhibitions in Europe, the United States, China, and Australia. Ragna Róbertsdóttir / works 1974-2017 @i8gallery @studiostudiostudiostudio @nylistasafnid @icelandicartcenter #contemporaryart  #contemporarysculpture  #sculpture  #iceland  #distanzverlag  #distanzpublishing 
Only a few #editions of #florianmeisenberg are left! Grab one on our website! 
FLORIAN MEISENBERG /
Born* In Ost Berlin** (*Elastic Gentleman (Maybe Generous)) (**Of Iridescent Souls, Social Manuals & Non-Re-Chargeable Batteries), 2017, unique works 
60 x 45 cm, Oil paint, iridescent acrylic paint and airbrush on canvas, 4/10 are available! 
@florian_meisenberg #artistedition #contemporaryart #contemporarypainting #distanzverlag #distanzpublishing
Thank you @florian_meisenberg for taking over our Instagram the last days and thanks for this great new #publication you made with us! 
Several printers mounted beneath the gallery’s ceiling tirelessly spit out sheets that slowly glide to the floor and stay where they land. For his project Somewhere sideways, down, at an angle, but very close, Florian Meisenberg (b. Berlin, 1980; lives and works in New York) invited #friends, #artists, and #curators to send pictures and messages to the printers. His #paintings often render digital motifs; his videos, by contrast, present an analog material reality. In the exhibition space, the participants’ ephemeral digital transmissions suddenly gain physical and tangible presence, adding an unwonted new dimension to Meisenberg’s work. The artist eventually collected all sheets; this book is his idiosyncratic presentation of a sample from the output. Far from a linear documentation of the project, it expands on it, transforming it into a brilliant work of printed matter that is a must-have for any Florian Meisenberg fan. It comes with an Augmented Reality app that lets the user translate all posts into sound and experience the choreography of images in the space-time fabric of the book.

Florian Meisenberg / Somewhere sideways, down, at an angle, but very close

#florianmeisenberg #distanzverlag #distanzpublishing #booklove #contemporaryart #contemporarypainting @wentrup_gallery @katemacgarry @simonesubalgallery
Thank you @florian_meisenberg for taking over our Instagram the last days and thanks for this great new #publication  you made with us! Several printers mounted beneath the gallery’s ceiling tirelessly spit out sheets that slowly glide to the floor and stay where they land. For his project Somewhere sideways, down, at an angle, but very close, Florian Meisenberg (b. Berlin, 1980; lives and works in New York) invited #friends , #artists , and #curators  to send pictures and messages to the printers. His #paintings  often render digital motifs; his videos, by contrast, present an analog material reality. In the exhibition space, the participants’ ephemeral digital transmissions suddenly gain physical and tangible presence, adding an unwonted new dimension to Meisenberg’s work. The artist eventually collected all sheets; this book is his idiosyncratic presentation of a sample from the output. Far from a linear documentation of the project, it expands on it, transforming it into a brilliant work of printed matter that is a must-have for any Florian Meisenberg fan. It comes with an Augmented Reality app that lets the user translate all posts into sound and experience the choreography of images in the space-time fabric of the book. Florian Meisenberg / Somewhere sideways, down, at an angle, but very close #florianmeisenberg  #distanzverlag  #distanzpublishing  #booklove  #contemporaryart  #contemporarypainting  @wentrup_gallery @katemacgarry @simonesubalgallery
meeting my friend Christian Boros together with @stephanweishaupt at @distanzverlag in Berlin. #meeting #friends #distanzverlag #christianboros #berlin #design #art #travelingdesigner
‚Best of German Interior Design Book‘ - a selection of the 50 best Designers and 50 Design companies in Germany
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Happy to be futured as one of them/ only 5 other female lead independent design studios are featured and I think this needs to change!! Overall it‘s a very fine selection - great designers are futured such as my former professors Werner Aisslinger & Stefan Diez whom I still look up to for their never ending energy to design & innovate.
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Deutschlandjahr USA 2018/19 #deutschlandjahrusa 
#womenindesign #germany #distanzverlag #germandesign #joaherrenknecht #berlin #bestofgermany #stefandiez #werneraisslinger .
editors: #langenscheidt #christianboros #olafsalié #axelschramm .
contributors:
#dirkboll @christiesinc #andreasgörgen #federalforeignofficegermany #auswärtigesamt #andrejkupetz #germandesigncouncil #birgittahomburger #productdesign #interiordesign #designbook
‚Best of German Interior Design Book‘ - a selection of the 50 best Designers and 50 Design companies in Germany . . Happy to be futured as one of them/ only 5 other female lead independent design studios are featured and I think this needs to change!! Overall it‘s a very fine selection - great designers are futured such as my former professors Werner Aisslinger & Stefan Diez whom I still look up to for their never ending energy to design & innovate. . . Deutschlandjahr USA 2018/19 #deutschlandjahrusa  #womenindesign  #germany  #distanzverlag  #germandesign  #joaherrenknecht  #berlin  #bestofgermany  #stefandiez  #werneraisslinger  . editors: #langenscheidt  #christianboros  #olafsalié  #axelschramm  . contributors: #dirkboll  @christiesinc #andreasgörgen  #federalforeignofficegermany  #auswärtigesamt  #andrejkupetz  #germandesigncouncil  #birgittahomburger  #productdesign  #interiordesign  #designbook 
But she is forced to sing in time with “Mein lieber Augustin.” Her melody passes in a sort of foolish way into Augustin; she yields and dies away. And only by snatches there is heard again:
“Qu’un sang impur …”
@florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing 
#takeover
“Pas un pouce de notre terrain; pas une de nos forteresses.”
@florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing 
#takeover
The latter begins, as it were, to get angry; becoming aware of Augustin at last she tries to fling him off, to brush him aside like a tiresome insignificant fly. But “Mein lieber Augustin” holds his ground firmly, he is cheerful and self-confident, he is gleeful and impudent, and the “Marseillaise” seems suddenly to become terribly stupid. She can no longer conceal her anger and mortification; it is a wail of indignation, tears, and curses, with hands outstretched to Providence.

@florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing 
#takeover
The latter begins, as it were, to get angry; becoming aware of Augustin at last she tries to fling him off, to brush him aside like a tiresome insignificant fly. But “Mein lieber Augustin” holds his ground firmly, he is cheerful and self-confident, he is gleeful and impudent, and the “Marseillaise” seems suddenly to become terribly stupid. She can no longer conceal her anger and mortification; it is a wail of indignation, tears, and curses, with hands outstretched to Providence. @florianmeisenberg @distanzverlag #somewheresidewaysdownatananglebutveryclose  #florianmeisenberg  #distanzverlag  #distanzpublishing  #takeover 
The “Marseillaise” is at the climax of its intoxication with its own grandeur; but Augustin gains strength; Augustin grows more and more insolent, and suddenly the melody of Augustin begins to blend with the melody of the “Marseillaise.”
@florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing
#takeover
#tbt crab your Book - the Cover of legendary fashion photographer's @horstdiekgerdes Book💣

#shotviewparis #shotviewberlin 
#horstdiekgerdes 
#distanz
#distanzverlag
#bookcover 
#fashionphotographer 
#fashionphotograpy 
#isabelifontana
Essayed for Grotjahn, had a mind-eye bending studio visit-lunch w him, learned his goal of freedom in “unfinishedness,”making til it appears free & unfinished in just the perfect finished way. Finite/infinite. Mark has an incredible art collection too and I admired his psychoanalytic takes. Gave me so much deep respect for his endurance & commitment.🦋 These bronzes are stunning in person haphazard from afar & exceptionally detailed & sensitive up close. Trippy! Grateful for my life in art writing. #distanzverlag
Essayed for Grotjahn, had a mind-eye bending studio visit-lunch w him, learned his goal of freedom in “unfinishedness,”making til it appears free & unfinished in just the perfect finished way. Finite/infinite. Mark has an incredible art collection too and I admired his psychoanalytic takes. Gave me so much deep respect for his endurance & commitment.🦋 These bronzes are stunning in person haphazard from afar & exceptionally detailed & sensitive up close. Trippy! Grateful for my life in art writing. #distanzverlag 
The “Marseillaise” goes on unconscious of them.

@florianmeisenberg
@distanzverlag

#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing 
#customskybox
#takeover
We Love Berlin! Danke für die guten Tips liebes @ceeceeberlin Team. BERLIN feiert so vielschichtig! Am meisten – die Gemütlichkeit. So scheint es, wenn man in Berlin Ferien machen kann. Genau so wird wert auf Kunst und Kultur gelegt. Der „Best of“ Bildband ceecee BERLIN vom Distanz Verlag ist ein toller Guide für Ästheten und Geniesser. #ceeceeberlin #distanzverlag #Reiseführer #bildband #newsletter #luzernerinberlin #einfachemotional #bewusststilvoll #polydual #branding3d
We Love Berlin! Danke für die guten Tips liebes @ceeceeberlin Team. BERLIN feiert so vielschichtig! Am meisten – die Gemütlichkeit. So scheint es, wenn man in Berlin Ferien machen kann. Genau so wird wert auf Kunst und Kultur gelegt. Der „Best of“ Bildband ceecee BERLIN vom Distanz Verlag ist ein toller Guide für Ästheten und Geniesser. #ceeceeberlin  #distanzverlag  #Reiseführer  #bildband  #newsletter  #luzernerinberlin  #einfachemotional  #bewusststilvoll  #polydual  #branding3d 
At this point Yulia Mihailovna would certainly have forbidden Lyamshin her house, but that very evening the whole circle brought him to her with the intelligence that he had just composed a new piece for the piano, and persuaded her at least to hear it. The piece turned out to be really amusing, and bore the comic title of “The Franco-Prussian War.” It began with the menacing strains of the “Marseillaise”:
“Qu’un sang impur abreuve nos sillons.” @florianmeisenberg
@distanzverlag

#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing
#takeover
At this point Yulia Mihailovna would certainly have forbidden Lyamshin her house, but that very evening the whole circle brought him to her with the intelligence that he had just composed a new piece for the piano, and persuaded her at least to hear it. The piece turned out to be really amusing, and bore the comic title of “The Franco-Prussian War.” It began with the menacing strains of the “Marseillaise”: “Qu’un sang impur abreuve nos sillons.” @florianmeisenberg @distanzverlag #somewheresidewaysdownatananglebutveryclose  #florianmeisenberg  #distanzverlag  #distanzpublishing  #takeover 
When the poor woman went to take out the holy books in the bazaar, the photographs were scattered about the place. There were roars of laughter and murmurs of indignation. A crowd collected, began abusing her, and would have come to blows if the police had not arrived in the nick of time. The gospel woman was taken to the lock-up, and only in the evening, thanks to the efforts of Mavriky Nikolaevitch, who had learned with indignation the secret details of this loathsome affair, she was released and escorted out of the town.

@florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing
#takeover
When the poor woman went to take out the holy books in the bazaar, the photographs were scattered about the place. There were roars of laughter and murmurs of indignation. A crowd collected, began abusing her, and would have come to blows if the police had not arrived in the nick of time. The gospel woman was taken to the lock-up, and only in the evening, thanks to the efforts of Mavriky Nikolaevitch, who had learned with indignation the secret details of this loathsome affair, she was released and escorted out of the town. @florianmeisenberg @distanzverlag #somewheresidewaysdownatananglebutveryclose  #florianmeisenberg  #distanzverlag  #distanzpublishing  #takeover 
#Treize by @anne_lena_michel is also available @mottobooks now.
#almeditions#annelenamichel#photobook#distanzverlag
A respectable woman of the artisan class, who went about selling gospels, came into the town. People talked about her, because some interesting references to these gospel women had just appeared in the Petersburg papers. Again the same buffoon, Lyamshin, with the help of a divinity student, who was taking a holiday while waiting for a post in the school, succeeded, on the pretence of buying books from the gospel woman, in thrusting into her bag a whole bundle of indecent and obscene photographs from abroad, sacrificed expressly for the purpose, as we learned afterwards, by a highly respectable old gentleman (I will omit his name) with an order on his breast, who, to use his own words, loved “a healthy laugh and a merry jest.” @florianmeisenberg
@distanzverlag
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing
#takeover
A respectable woman of the artisan class, who went about selling gospels, came into the town. People talked about her, because some interesting references to these gospel women had just appeared in the Petersburg papers. Again the same buffoon, Lyamshin, with the help of a divinity student, who was taking a holiday while waiting for a post in the school, succeeded, on the pretence of buying books from the gospel woman, in thrusting into her bag a whole bundle of indecent and obscene photographs from abroad, sacrificed expressly for the purpose, as we learned afterwards, by a highly respectable old gentleman (I will omit his name) with an order on his breast, who, to use his own words, loved “a healthy laugh and a merry jest.” @florianmeisenberg @distanzverlag #somewheresidewaysdownatananglebutveryclose  #florianmeisenberg  #distanzverlag  #distanzpublishing  #takeover 
#Repost @barilgallery with @get_repost
・・・
#maximliulca #asfarastheeyecansee #soloshow #opening #today #9thofaugust 7pm #catalogue #distanzverlag at @centruldeinteres #artcenter #contemporaryart #cluj
OLAF HOLZAPFEL
REGION – THE TECHNOLOGY OF THE COUNTRY
Publication @distanzverlag 
After a decade of focussing on virtual space and its connectedness to the public domain, Olaf Holzapfel addresses the connection between technology and nature. His works explore the transformation of material into technology, which originally begins in the rural, the agrarian. 
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#olafholzapfel #holzapfel #danielmarzona #danielmarzonagallery #marzona #distanz #distanzverlag #book #buch #künstlerbuch #artistbook #region #meterial #agrar #technology #nature #contemporaryart #contemporarysculpture #distanzpublishing #booklovers #repost #reading #documenta
OLAF HOLZAPFEL REGION – THE TECHNOLOGY OF THE COUNTRY Publication @distanzverlag After a decade of focussing on virtual space and its connectedness to the public domain, Olaf Holzapfel addresses the connection between technology and nature. His works explore the transformation of material into technology, which originally begins in the rural, the agrarian. ____ #olafholzapfel  #holzapfel  #danielmarzona  #danielmarzonagallery  #marzona  #distanz  #distanzverlag  #book  #buch  #künstlerbuch  #artistbook  #region  #meterial  #agrar  #technology  #nature  #contemporaryart  #contemporarysculpture  #distanzpublishing  #booklovers  #repost  #reading  #documenta 
On occasion of our new #publication  SOMEWHERE SIDEWAYS, DOWN, AT AN ANGLE, BUT VERY CLOSE with #artist Florian Meisenberg, he is going to take over our Instagram for one week! Enjoy! 
@florianmeisenberg
@distanzverlag 
#somewheresidewaysdownatananglebutveryclose
#florianmeisenberg
#distanzverlag #distanzpublishing
#takeover
Enjoy the editions of #OlafHolzapfel on our website! 
Olaf Holzapfel / From the series ZAUN / 2017 / 10 unique works / oil pastel and pastel on handmade paper or cardboard / 48 x 39 cm / framed / signed verso 
#artistedition #distanzverlag #distanzpublishing #contemporaryart #drawing
Here is our beautiful #publication of #documenta14 #artist Olaf Holzapfel! 
The #countryside surrounds the city; it is its shell, mirror, source, its other. #Rural activity is not secondary or pre-modern, but of equal consequence to what we regard as contemporary, primarily the #urban centers. After a decade of focussing on virtual space and its connectedness to the public domain, Olaf Holzapfel (b. Görlitz, 1969; lives and works in Berlin and Dresden) addresses the connection between technology and nature. His works explore the transformation of #material into #technology, which originally begins in the rural, the #agrarian. 
In his series of new timber-framed #sculptures, Olaf Holzapfel describes space using a linear model that is dynamic and up-to-date. Timber #framework is adaptable; it can be redesigned and reconfigured. This publication presents a group of sculptural constructions of wood that investigate the formal vocabulary of timer framework. The artist juxtaposes these wooden sculptures with a row of figures made from braided hay. The artifacts, fashioned using #traditionalmethods, refer to the motif of rural life and to #abstractpatterns in traditional attire. The works embody a unique form of minimalism. Furthermore, both work groups enter into a contemporary dialogue with other artists from the region around Dresden who reacted to circumstances in their time: the landscape painter Eduard Leonhardi, the photography pioneer Hermann Krone, the constructivist Hermann Glöckner, and Curt Querner, an early proponent of New Objectivity. 
This catalogue is published on occasion of his exhibition at #Leonhardi-Museum, #Dresden 2012 and still on show at #klosterschoenthal (#switzerland) til Nov 2018!

#olafholzapfel #contemporaryart #contemporarysculpture #distanzverlag #distanzpublishing #booklovers 
@studiomanuelraeder @smakgent @documentaofficial @schirnkunsthalle @galerie.gebr.lehmann @danielmarzona
Here is our beautiful #publication  of #documenta14  #artist  Olaf Holzapfel! The #countryside  surrounds the city; it is its shell, mirror, source, its other. #Rural  activity is not secondary or pre-modern, but of equal consequence to what we regard as contemporary, primarily the #urban  centers. After a decade of focussing on virtual space and its connectedness to the public domain, Olaf Holzapfel (b. Görlitz, 1969; lives and works in Berlin and Dresden) addresses the connection between technology and nature. His works explore the transformation of #material  into #technology , which originally begins in the rural, the #agrarian . In his series of new timber-framed #sculptures , Olaf Holzapfel describes space using a linear model that is dynamic and up-to-date. Timber #framework  is adaptable; it can be redesigned and reconfigured. This publication presents a group of sculptural constructions of wood that investigate the formal vocabulary of timer framework. The artist juxtaposes these wooden sculptures with a row of figures made from braided hay. The artifacts, fashioned using #traditionalmethods , refer to the motif of rural life and to #abstractpatterns  in traditional attire. The works embody a unique form of minimalism. Furthermore, both work groups enter into a contemporary dialogue with other artists from the region around Dresden who reacted to circumstances in their time: the landscape painter Eduard Leonhardi, the photography pioneer Hermann Krone, the constructivist Hermann Glöckner, and Curt Querner, an early proponent of New Objectivity. This catalogue is published on occasion of his exhibition at #Leonhardi -Museum, #Dresden  2012 and still on show at #klosterschoenthal  (#switzerland ) til Nov 2018! #olafholzapfel  #contemporaryart  #contemporarysculpture  #distanzverlag  #distanzpublishing  #booklovers  @studiomanuelraeder @smakgent @documentaofficial @schirnkunsthalle @galerie.gebr.lehmann @danielmarzona
#Repost @distanzverlag ・・・
The photographer Anne-Lena Michel shows us the #sweet13 in one of our latest #publications! 
Anne-Lena Michel (born 1981 in Würzburg, lives and works in Berlin) is a freelance #photographer and #artist. In 2001/2002 she spent twelve months as an au-pair in #Paris, where she began taking #photographs. One of the subjects that turns up frequently in her work is the thirteen-year-old girl Léa. The photographs present the t#eenager striking different poses in a bourgeois apartment in #Saintgermaindespres, but also everyday moments of childlike abandon. The portrayed #girl dons various costumes to play diverse, for the most part feminine roles, which she acts out with dramatic talent and a feigned lasciviousness. Anne-Lena Michel, who was twenty at the time she made these works, was reading magazines like i-D and The Face and felt drawn to the unembellished photographs of Juergen Teller. The power of her images lies in their unintended snapshot aesthetic and resulting sense of #authenticity.

Anne-Lena Michel / TREIZE
@anne_lena_michel @galeriepavlovsdog @i_d @a.l.m.editions #distanzverlag #distanzpublishing #booklove #contemporaryphotography
#Repost  @distanzverlag ・・・ The photographer Anne-Lena Michel shows us the #sweet13  in one of our latest #publications ! Anne-Lena Michel (born 1981 in Würzburg, lives and works in Berlin) is a freelance #photographer  and #artist . In 2001/2002 she spent twelve months as an au-pair in #Paris , where she began taking #photographs . One of the subjects that turns up frequently in her work is the thirteen-year-old girl Léa. The photographs present the t#eenager  striking different poses in a bourgeois apartment in #Saintgermaindespres , but also everyday moments of childlike abandon. The portrayed #girl  dons various costumes to play diverse, for the most part feminine roles, which she acts out with dramatic talent and a feigned lasciviousness. Anne-Lena Michel, who was twenty at the time she made these works, was reading magazines like i-D and The Face and felt drawn to the unembellished photographs of Juergen Teller. The power of her images lies in their unintended snapshot aesthetic and resulting sense of #authenticity . Anne-Lena Michel / TREIZE @anne_lena_michel @galeriepavlovsdog @i_d @a.l.m.editions #distanzverlag  #distanzpublishing  #booklove  #contemporaryphotography 
The photographer Anne-Lena Michel shows us the #sweet13 in one of our latest #publications! 
Anne-Lena Michel (born 1981 in Würzburg, lives and works in Berlin) is a freelance #photographer and #artist. In 2001/2002 she spent twelve months as an au-pair in #Paris, where she began taking #photographs. One of the subjects that turns up frequently in her work is the thirteen-year-old girl Léa. The photographs present the t#eenager striking different poses in a bourgeois apartment in #Saintgermaindespres, but also everyday moments of childlike abandon. The portrayed #girl dons various costumes to play diverse, for the most part feminine roles, which she acts out with dramatic talent and a feigned lasciviousness. Anne-Lena Michel, who was twenty at the time she made these works, was reading magazines like i-D and The Face and felt drawn to the unembellished photographs of Juergen Teller. The power of her images lies in their unintended snapshot aesthetic and resulting sense of #authenticity.

Anne-Lena Michel / TREIZE
@anne_lena_michel @galeriepavlovsdog @i_d @a.l.m.editions #distanzverlag #distanzpublishing #booklove #contemporaryphotography
The photographer Anne-Lena Michel shows us the #sweet13  in one of our latest #publications ! Anne-Lena Michel (born 1981 in Würzburg, lives and works in Berlin) is a freelance #photographer  and #artist . In 2001/2002 she spent twelve months as an au-pair in #Paris , where she began taking #photographs . One of the subjects that turns up frequently in her work is the thirteen-year-old girl Léa. The photographs present the t#eenager  striking different poses in a bourgeois apartment in #Saintgermaindespres , but also everyday moments of childlike abandon. The portrayed #girl  dons various costumes to play diverse, for the most part feminine roles, which she acts out with dramatic talent and a feigned lasciviousness. Anne-Lena Michel, who was twenty at the time she made these works, was reading magazines like i-D and The Face and felt drawn to the unembellished photographs of Juergen Teller. The power of her images lies in their unintended snapshot aesthetic and resulting sense of #authenticity . Anne-Lena Michel / TREIZE @anne_lena_michel @galeriepavlovsdog @i_d @a.l.m.editions #distanzverlag  #distanzpublishing  #booklove  #contemporaryphotography 
Enjoy one of Ashkan Sahihi’s massive projects in our #publication “Die Berlinerin”. Ashkan Sahihi (b. Tehran, 1963) is a #photographer known for his unique work: prisoners on death row, hip hoppers, musicians, writers, femalesoldiers, explorations of the facial expressions of people under the influence of various drugs they are trying for the first time. Sahihi’s family left Iran for Germany when he was seven; he moved to New York in 1987 and subsequently created photographs for leading publications including the weekend magazines of Die Zeit and Süddeutsche Zeitung, Spiegel and GEO, the New York Times Magazine, the New Yorker, and Vogue. 
His work was presented at New York’s Andrea Rosen Gallery in 2000 and featured in solo and group shows at MoMA PS1 in New York, the Berlin Academy of Arts, Macro in Rome, and elsewhere. 
Ashkan Sahihi’s work, reproduced in its entirety in this book, is a portrait of Berlin comprising 375 photographs of women living in Berlin grouped by thirty-five categories such as professions, age brackets, lifestyles, social strata. Each photograph is accompanied by a brief questionnaire the sitters completed in writing. Taken together, the portraits represent a cautious exploration of Berlin, an attempt to capture a moment in the city’s life in a dense description. With essays by Kimberly Bradley as well as Thomas Hüsken and Olin Roenpage.

Ashkan Sahihi / Die Berlinerin
@ashkansahihi @sueddeutschezeitungg @spiegelonline @newyorktimes.city @newyorkermag @vogue @momaps1 @museomacro @akademiederkuenste #ashkansahihi #dieberlinerin #berlin #contemporaryphotography #strongwomen #portraitphotography #distanzverlag #distanzpublishing
Enjoy one of Ashkan Sahihi’s massive projects in our #publication  “Die Berlinerin”. Ashkan Sahihi (b. Tehran, 1963) is a #photographer  known for his unique work: prisoners on death row, hip hoppers, musicians, writers, femalesoldiers, explorations of the facial expressions of people under the influence of various drugs they are trying for the first time. Sahihi’s family left Iran for Germany when he was seven; he moved to New York in 1987 and subsequently created photographs for leading publications including the weekend magazines of Die Zeit and Süddeutsche Zeitung, Spiegel and GEO, the New York Times Magazine, the New Yorker, and Vogue. His work was presented at New York’s Andrea Rosen Gallery in 2000 and featured in solo and group shows at MoMA PS1 in New York, the Berlin Academy of Arts, Macro in Rome, and elsewhere. Ashkan Sahihi’s work, reproduced in its entirety in this book, is a portrait of Berlin comprising 375 photographs of women living in Berlin grouped by thirty-five categories such as professions, age brackets, lifestyles, social strata. Each photograph is accompanied by a brief questionnaire the sitters completed in writing. Taken together, the portraits represent a cautious exploration of Berlin, an attempt to capture a moment in the city’s life in a dense description. With essays by Kimberly Bradley as well as Thomas Hüsken and Olin Roenpage. Ashkan Sahihi / Die Berlinerin @ashkansahihi @sueddeutschezeitungg @spiegelonline @newyorktimes.city @newyorkermag @vogue @momaps1 @museomacro @akademiederkuenste #ashkansahihi  #dieberlinerin  #berlin  #contemporaryphotography  #strongwomen  #portraitphotography  #distanzverlag  #distanzpublishing 
Please have a look on the #firstmonograph of chinese #artist He Xiangyu! 
#HeXiangyu (b. Dandong, Liaoning Province, 1986; lives and works in #Beijing and #Berlin) belongs to a new generation of Chinese #conceptualartists who use a variety of media to articulate their cultural and social concerns. His ambitious and provocative works have quickly brought him international renown. In 2008, He Xiangyu launched his Cola Project, for which he boiled down 127 tons of #CocaCola over the course of a year to extract a crystalline residue resembling soil and a black liquid. He then put lumps of the corrosive mass in museum display cases and used the liquid to paint landscapes in the style of the Song dynasty. Tank Project (2011–2013) is of similar gargantuan dimensions: the artist employed an entire sewing studio to manufacture a full-size replica of a tank out of the finest Italian leather. The deflated object alludes to the growing presence of Western-made materials in contemporary China and, by implication, to the nexus between political and economic power. He Xiangyu’s interest in twisting the system of values is also evident in 200g Gold, 62g Protein (2012), which consists of an egg carton made of solid gold and an ordinary chicken egg: a pointed inquiry into the process in which value is attributed to specific things and art’s presumption that it can charge #objects and #materials with meaning. 
He Xiangyu / He Xiangyu
#chineseart #chineseartist #sculptures #painting #distanzverlag #distanzpublishing #booklove @whitecubeofficial @whitespacebeijing @cocacola
Please have a look on the #firstmonograph  of chinese #artist  He Xiangyu! #HeXiangyu  (b. Dandong, Liaoning Province, 1986; lives and works in #Beijing  and #Berlin ) belongs to a new generation of Chinese #conceptualartists  who use a variety of media to articulate their cultural and social concerns. His ambitious and provocative works have quickly brought him international renown. In 2008, He Xiangyu launched his Cola Project, for which he boiled down 127 tons of #CocaCola  over the course of a year to extract a crystalline residue resembling soil and a black liquid. He then put lumps of the corrosive mass in museum display cases and used the liquid to paint landscapes in the style of the Song dynasty. Tank Project (2011–2013) is of similar gargantuan dimensions: the artist employed an entire sewing studio to manufacture a full-size replica of a tank out of the finest Italian leather. The deflated object alludes to the growing presence of Western-made materials in contemporary China and, by implication, to the nexus between political and economic power. He Xiangyu’s interest in twisting the system of values is also evident in 200g Gold, 62g Protein (2012), which consists of an egg carton made of solid gold and an ordinary chicken egg: a pointed inquiry into the process in which value is attributed to specific things and art’s presumption that it can charge #objects  and #materials  with meaning. He Xiangyu / He Xiangyu #chineseart  #chineseartist  #sculptures  #painting  #distanzverlag  #distanzpublishing  #booklove  @whitecubeofficial @whitespacebeijing @cocacola
Here is our #publication with one of the most eccentric #visualcreators of the past two decades!

Not many fashion photographers get to see their pictures become part of the pop-cultural mainstream. The controversial cover the German photographer Horst Diekgerdes created for the #Britpop band Pulp’s album This Is Hardcore was that rare stroke of genius: collaborating with the legendary #artdirector #PeterSaville and the #artist #JohnCurrin, Diekgerdes captured a young woman in a sexually explicit pose. Diekgerdes has been working in the scene since the mid-1990s, for fashion magazines such as AnOther Magazine, Purple, Dazed & Confused, le magazine double, and self service magazine, but also for several editions of Vogue including Vogue UK, Vogue Hommes International, Vogue China, and Vogue Germany. His commercial work has graced campaigns for MiuMiu, Chloé, Hermès, Sonia Rykiel, and Kenzo, to mention only a few. His pictures have been on view at the Institute of Contemporary Art, Boston, the Fotomuseum Winterthur, and the Deichtorhallen in Hamburg. 
Horst Diekgerdes’s first monograph is a celebration of life, fashion, and photography in the form of a photographic journey from the mid-1990s to the present, combining fashion photographs with pictures from his personal diaries, observations of everyday life, and previously unpublished works. Anastasia Barbieri, Jean-Pierre Blanc, Urs Fischer, Jefferson Hack, Jina Khajjer, and Véronique Leroy contributed essays.

Horst Diekgerdes / Horst Diekgerdes

@horstdiekgerdes #distanzverlag #distanzpublishing #booklovers #fashionphotography #fashion #lifestyle @petersavilleartwork @anothermagazine @purplefashionmagazine @dazed @voguemagazine @voguegermany @voguehommes @voguechina @miumiu @hermes @chloe @soniarykiel @kenzo @deichtorhallenhamburg @foto_museum @anastasiabarbieri @jinakhayyer @jeffersonhack @veroniqueleroyofficiel
Here is our #publication  with one of the most eccentric #visualcreators  of the past two decades! Not many fashion photographers get to see their pictures become part of the pop-cultural mainstream. The controversial cover the German photographer Horst Diekgerdes created for the #Britpop  band Pulp’s album This Is Hardcore was that rare stroke of genius: collaborating with the legendary #artdirector  #PeterSaville  and the #artist  #JohnCurrin , Diekgerdes captured a young woman in a sexually explicit pose. Diekgerdes has been working in the scene since the mid-1990s, for fashion magazines such as AnOther Magazine, Purple, Dazed & Confused, le magazine double, and self service magazine, but also for several editions of Vogue including Vogue UK, Vogue Hommes International, Vogue China, and Vogue Germany. His commercial work has graced campaigns for MiuMiu, Chloé, Hermès, Sonia Rykiel, and Kenzo, to mention only a few. His pictures have been on view at the Institute of Contemporary Art, Boston, the Fotomuseum Winterthur, and the Deichtorhallen in Hamburg. Horst Diekgerdes’s first monograph is a celebration of life, fashion, and photography in the form of a photographic journey from the mid-1990s to the present, combining fashion photographs with pictures from his personal diaries, observations of everyday life, and previously unpublished works. Anastasia Barbieri, Jean-Pierre Blanc, Urs Fischer, Jefferson Hack, Jina Khajjer, and Véronique Leroy contributed essays. Horst Diekgerdes / Horst Diekgerdes @horstdiekgerdes #distanzverlag  #distanzpublishing  #booklovers  #fashionphotography  #fashion  #lifestyle  @petersavilleartwork @anothermagazine @purplefashionmagazine @dazed @voguemagazine @voguegermany @voguehommes @voguechina @miumiu @hermes @chloe @soniarykiel @kenzo @deichtorhallenhamburg @foto_museum @anastasiabarbieri @jinakhayyer @jeffersonhack @veroniqueleroyofficiel
Have a last view til 29th July at the #exhibition of Louise Bourgeois „the empty house“ @schinkelpavillon! Here we would like to share our beautiful #book of Louise Bourgeois and Hans Bellmer we did on occasion of the exhibition Louise Bourgeois / Hans Bellmer / Double Sexus at #sammlungscharfgerstenberg #gemeentemuseumdenhaag: 
Bodies distort, breaking down. Forms of #male and #female genitals fuse with one another. Male #bodies become fetishes, with missing members; others are doubled and androgynous bodies result. The sexually charged works of Louise Bourgeois and Hans Bellmer reveal remarkable parallels, even though the #artists never actually met: Louise Bourgeois (1911–2010) lived in Paris until 1938, where she studied art, then she went to #NewYork, where her career as an artist began. There she maintained loose contacts to several of the Surrealists living in exile. Hans Bellmer (1902–1975) moved from #Berlin to #Paris in 1938, where he joined the #Surrealists and regularly exhibited with them.

This publication establishes for the first time a #dialogue between the works of Hans Bellmer and Louise Bourgeois, which are marked by the views of a male and female artist, respectively, as well as by personal #obsessions and #desires.

The publication continues the dialogue of the #sexes on two other levels: it makes sense that a male and a female art historian should stake out the two positions art historically. On the other hand, the fact that #ElfriedeJelinek (with a new text published here for the first time) and #HenryMiller (with texts from Sexus) should be juxtaposed on a literary level will no doubt cause a sensation that promises titillating reading #pleasure.

#Distanzverlag #distanzpublishing #surrealism #booklovers #louisebourgeois #hansbellmer @staatlichemuseenzuberlin @cheimread @hauserwirth @galeriekarstengreve @graphischesammlung @gemeentemuseum @freundedernationalgalerie
Have a last view til 29th July at the #exhibition  of Louise Bourgeois „the empty house“ @schinkelpavillon! Here we would like to share our beautiful #book  of Louise Bourgeois and Hans Bellmer we did on occasion of the exhibition Louise Bourgeois / Hans Bellmer / Double Sexus at #sammlungscharfgerstenberg  #gemeentemuseumdenhaag : Bodies distort, breaking down. Forms of #male  and #female  genitals fuse with one another. Male #bodies  become fetishes, with missing members; others are doubled and androgynous bodies result. The sexually charged works of Louise Bourgeois and Hans Bellmer reveal remarkable parallels, even though the #artists  never actually met: Louise Bourgeois (1911–2010) lived in Paris until 1938, where she studied art, then she went to #NewYork , where her career as an artist began. There she maintained loose contacts to several of the Surrealists living in exile. Hans Bellmer (1902–1975) moved from #Berlin  to #Paris  in 1938, where he joined the #Surrealists  and regularly exhibited with them. This publication establishes for the first time a #dialogue  between the works of Hans Bellmer and Louise Bourgeois, which are marked by the views of a male and female artist, respectively, as well as by personal #obsessions  and #desires . The publication continues the dialogue of the #sexes  on two other levels: it makes sense that a male and a female art historian should stake out the two positions art historically. On the other hand, the fact that #ElfriedeJelinek  (with a new text published here for the first time) and #HenryMiller  (with texts from Sexus) should be juxtaposed on a literary level will no doubt cause a sensation that promises titillating reading #pleasure . #Distanzverlag  #distanzpublishing  #surrealism  #booklovers  #louisebourgeois  #hansbellmer  @staatlichemuseenzuberlin @cheimread @hauserwirth @galeriekarstengreve @graphischesammlung @gemeentemuseum @freundedernationalgalerie
Proudly present: Our #publication with #visionary Armin Morbach!

For more than twenty-five years Armin Morbach (b. Haag, #Bavaria, 1971, lives in #Hamburg, works #aroundtheworld) has defined a #visual aesthetic that finds #beauty in everything. The #publisher of the magazine #TUSH, #hair and #makeupartist for #fashionshows and #photoshoots, trend visionary, and #hairexpert has developed an internationally recognized and emulated #style. With his keen sense for an individual’s potential and his interdisciplinary approach, he provides creative input and devises exciting visual solutions for #models and on paper.

Morbach started taking #photographs in 2007. The creative ambition and expressive energy that manifest themselves in his other ventures are evident in his pictures as well. Sparsely elegant compositions toy with #hyperbole and the #unconscious; an inimitable visual idiom unsettles and provokes the viewer. Morbach’s photography—which has also been presented in widely acclaimed #exhibitions—has rapidly earned him #worldwide renown. In his first book, titled #IRONY, Armin Morbach caps his first decade as a photographer with a personal glimpse behind the scenes of the beauty and #fashion business. With essays by Christiane Arp, Anke Degenhard, F.C. Gundlach, and the editorial team at TUSH.

Armin Morbach / IRONY
#arminmorbach @arminmorbach #distanzverlag #distanzpublishing #booklove @tushmagazine @christianearpvogue @schwarzkopf #fashion #makeupartist #photography #editorial
Proudly present: Our #publication  with #visionary  Armin Morbach! For more than twenty-five years Armin Morbach (b. Haag, #Bavaria , 1971, lives in #Hamburg , works #aroundtheworld ) has defined a #visual  aesthetic that finds #beauty  in everything. The #publisher  of the magazine #TUSH , #hair  and #makeupartist  for #fashionshows  and #photoshoots , trend visionary, and #hairexpert  has developed an internationally recognized and emulated #style . With his keen sense for an individual’s potential and his interdisciplinary approach, he provides creative input and devises exciting visual solutions for #models  and on paper. Morbach started taking #photographs  in 2007. The creative ambition and expressive energy that manifest themselves in his other ventures are evident in his pictures as well. Sparsely elegant compositions toy with #hyperbole  and the #unconscious ; an inimitable visual idiom unsettles and provokes the viewer. Morbach’s photography—which has also been presented in widely acclaimed #exhibitions —has rapidly earned him #worldwide  renown. In his first book, titled #IRONY , Armin Morbach caps his first decade as a photographer with a personal glimpse behind the scenes of the beauty and #fashion  business. With essays by Christiane Arp, Anke Degenhard, F.C. Gundlach, and the editorial team at TUSH. Armin Morbach / IRONY #arminmorbach  @arminmorbach #distanzverlag  #distanzpublishing  #booklove  @tushmagazine @christianearpvogue @schwarzkopf #fashion  #makeupartist  #photography  #editorial 
#dernächstewinterkommtbestimmt Roman Lang, Distanz Verlag Berlin, 144 pages, hardcover, essays by Amely Deiss, Herbert Burkert,  ISBN 978-3-95476-198-2
Who wants to have a colored Gregor Schneider face? We still have two editions of him left!
These are #original "colored face imprints" by the artist. Like #deathmasks, but of a living artist, so #lifemasks. For these #sculptures, Schneider put his head, or more precisely his face in #plaster! The material used is ARDUMUR 828 from #ardex, the #rollsroyce among the fillers. This plaster is white and contains a high amount of synthetic ingredients. It was applied liquidly to the face of the #artist.
Have a look on our website! 
#gregorschneider #distanzverlag #distanzpublishing #artistedition #contemporaryart
Who wants to have a colored Gregor Schneider face? We still have two editions of him left! These are #original  "colored face imprints" by the artist. Like #deathmasks , but of a living artist, so #lifemasks . For these #sculptures , Schneider put his head, or more precisely his face in #plaster ! The material used is ARDUMUR 828 from #ardex , the #rollsroyce  among the fillers. This plaster is white and contains a high amount of synthetic ingredients. It was applied liquidly to the face of the #artist . Have a look on our website! #gregorschneider  #distanzverlag  #distanzpublishing  #artistedition  #contemporaryart 
Here is our impressive #publication of #artist Gregor Schneider, on occasion of his #exhibition @bundeskunsthalle #bonn last year! 
Gregor Schneider (b. Rheydt, Germany, 1969; lives in Rheydt) is an influential and controversial artist whose work critics like to misunderstand. Disavowing the #artobject, he thinks by constructing #spaces. In the mid-1980s, he sought to pinpoint the “idle state of action.” He altered spaces by inserting #duplicates, demolishing an economic way of thinking. Over the past fifteen years, he has gradually moved toward the field of #politics and the public sphere. Schneider’s works cross Germany’s more recent history with the non-places of personal #existence; he stages encounters between cultural moments that are #alien to one another—for example, he wanted to build a black cube in the dimensions of the Kaaba outside St. Mark’s Basilica in Venice (the plan was nixed by the censors). The #catalogue aims to present his #art as a cohesive whole spanning three decades. More than three hundred #illustrations shed light on its stations; extensive #annotations by Gregor Schneider himself and the #editor and #curator Ulrich Loock mark interconnections as well as contradictions within the #oeuvre. The book touches on works Schneider created when he was thirteen, fourteen, fifteen years old (“Adolescent Discontent”, 1980s) as well as the insertion of spaces into a new venue (“Dead House u r”, 2001) or the grinding to dust of Joseph Goebbels’s birthplace (“The Spirit of the Nazi Era”, 2015). It offers the first-ever structured overview of Schneider’s oeuvre in its entirety.

Gregor Schneider / Gregor Schneider
#gregorschneider #ulrichloock @ottosauhaus #bundeskunsthalle #contemporaryart #booklove #artbook #distanzverlag #distanzpublishing
Here is our impressive #publication  of #artist  Gregor Schneider, on occasion of his #exhibition  @bundeskunsthalle #bonn  last year! Gregor Schneider (b. Rheydt, Germany, 1969; lives in Rheydt) is an influential and controversial artist whose work critics like to misunderstand. Disavowing the #artobject , he thinks by constructing #spaces . In the mid-1980s, he sought to pinpoint the “idle state of action.” He altered spaces by inserting #duplicates , demolishing an economic way of thinking. Over the past fifteen years, he has gradually moved toward the field of #politics  and the public sphere. Schneider’s works cross Germany’s more recent history with the non-places of personal #existence ; he stages encounters between cultural moments that are #alien  to one another—for example, he wanted to build a black cube in the dimensions of the Kaaba outside St. Mark’s Basilica in Venice (the plan was nixed by the censors). The #catalogue  aims to present his #art  as a cohesive whole spanning three decades. More than three hundred #illustrations  shed light on its stations; extensive #annotations  by Gregor Schneider himself and the #editor  and #curator  Ulrich Loock mark interconnections as well as contradictions within the #oeuvre . The book touches on works Schneider created when he was thirteen, fourteen, fifteen years old (“Adolescent Discontent”, 1980s) as well as the insertion of spaces into a new venue (“Dead House u r”, 2001) or the grinding to dust of Joseph Goebbels’s birthplace (“The Spirit of the Nazi Era”, 2015). It offers the first-ever structured overview of Schneider’s oeuvre in its entirety. Gregor Schneider / Gregor Schneider #gregorschneider  #ulrichloock  @ottosauhaus #bundeskunsthalle  #contemporaryart  #booklove  #artbook  #distanzverlag  #distanzpublishing 
Glückwunsch #dortmunderkunstverein und #distanzverlag für das schöne Künstlerbuch von Elaine Cameron-Weir. Ein schöner Abschluss für eine tolle Ausstellung!
Mariechen Danz’ show @wentrup_gallery is on view til 28th of July in #Berlin! We did a #book with her, years ago! 
As Mariechen Danz (b. Dublin 1980; lives in Berlin) sees it, the failure of hierarchically organized structures is obvious. She questions the accepted codes with which our knowledge, our discourse, and our view of other eras and cultures operate. In #drawings, #objects, #installations, #performances, and #music, she reveals unquestioningly accepted #boundaries and unearths what colonial habits of thought have obliterated. Her most important instruments in this endeavor are #language and the #body. Language functions as a means of communication as long as we remain within the universally established frameworks. But who determines them? And what exists beyond these confines? The body, as the point of departure for the coded perspectives and the right and wrong decisions we make, as the site of frictions that may emerge between what has been agreed upon and what is possible. 
Mariechen Danz / Cube Cell Stage 
#mariechendanz #contemporaryart #sculpture #installation #drawing #performance #distanzverlag #distanzpublishing @mariechendanz @wentrup_gallery
Mariechen Danz’ show @wentrup_gallery is on view til 28th of July in #Berlin ! We did a #book  with her, years ago! As Mariechen Danz (b. Dublin 1980; lives in Berlin) sees it, the failure of hierarchically organized structures is obvious. She questions the accepted codes with which our knowledge, our discourse, and our view of other eras and cultures operate. In #drawings , #objects , #installations , #performances , and #music , she reveals unquestioningly accepted #boundaries  and unearths what colonial habits of thought have obliterated. Her most important instruments in this endeavor are #language  and the #body . Language functions as a means of communication as long as we remain within the universally established frameworks. But who determines them? And what exists beyond these confines? The body, as the point of departure for the coded perspectives and the right and wrong decisions we make, as the site of frictions that may emerge between what has been agreed upon and what is possible. Mariechen Danz / Cube Cell Stage #mariechendanz  #contemporaryart  #sculpture  #installation  #drawing  #performance  #distanzverlag  #distanzpublishing  @mariechendanz @wentrup_gallery